May 14, 2023
Special Episode: The Worlds greatest Albums of the 1980s
Welcome to "The World's Greatest Albums of the 1980s" segment on Back to the 80s Radio, hosted by Mario Toscano. In today's episode, we dive into Depeche Mode's iconic album, "Music for the Masses." Released in 1987, this album marked a significant milestone in the band's career and cemented their status as pioneers of electronic music.
"Music for the Masses" presents a compelling blend of dark and brooding synth-pop, showcasing Depeche Mode's evolution both musically and lyrically. The album kicks off with the hauntingly powerful track, "Never Let Me Down Again," setting the tone for the introspective journey that follows.
Throughout the album, Depeche Mode explores themes of longing, desire, and introspection with tracks like "Strangelove" and "Behind the Wheel." The band's signature synth-driven sound, combined with lead singer Dave Gahan's captivating vocals, creates an atmospheric and emotionally charged listening experience.
"Music for the Masses" pushed the boundaries of electronic music, incorporating elements of alternative rock and industrial sounds. The album's production quality and attention to detail further highlight Depeche Mode's growth as musicians and their ability to craft immersive sonic landscapes.
Today we're taking you on a captivating journey through the album, providing insights into its creation, impact, and enduring legacy. From analyzing the album's thematic depth to exploring its influence on subsequent artists, this episode offers a comprehensive exploration of Depeche Mode's "Music for the Masses."
Tune in to Back to the 80s Radio as we celebrate this timeless album, reminding us why "Music for the Masses" continues to resonate with listeners and solidify Depeche Mode's place in music history.
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Welcome to Back to the Eighties Radio, where we take
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you on a nostalgic journey back to the era of
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iconic music that defined a generation. I'm your host, Mario Tuscano.
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On this new show, we call the World's Greatest Albums.
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For this new show, we're excited to delve into some
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of the most influential and memorable albums from the nineteen eighties.
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Join us every week as we explore the sounds that
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shape the decade and still resonate with music lovers today.
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From pop to rock, hip hop, alternative, and beyond. We've
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got it all covered. So let's turn back the clock
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and get ready to live the music of the nineteen eighties.
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Ladies and gentlemen.
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I'm Shadow Stevens and you must listen to Back to
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the Eighties Radio.
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It's the law.
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Welcome to the World's Greatest Albums. Today, we're taking a
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deep dive into Music for the Masses by Depeche Mode,
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an album that defined electronic music in the late nineteen eighties.
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Produced by Daniel Miller and Gareth Jones, the album features
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some of the band's most iconic tracks, including Never Let
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Me Down Again, Strangelove, and Behind the Wheel. The album
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opens with Never Let Me Down Again, a driving and
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upbeat track that features powerful synth hooks and lyrics that
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speak of a desire for unity and connection. The track
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was recorded at Puke Studios in Denmark and features Gone
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and lead vocals, Martin Gore and guitar and backing vocals,
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and Alan Wilder on synths and percussion. So without further ado,
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this has never Let Me Down Again by depeche Mode.
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I'm taking a ride with my best fads.
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He then let's take down again.
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He knows tell he's.
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Taking may, taking me where I want to free.
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I'm taking a ride with my best fats.
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Well my.
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Were bunching the well while says never wanted come down,
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the bunting getting back down over.
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The mounds, taking a run without best grass.
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I'm like, oh be yeah, let's take down the.
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Roll a sister, Y'll.
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Save the house.
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And it's all that's I remembers.
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Wearing trouds as.
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I, oh dad, let's get down again.
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Fine, we'll watching the mos Usa spy.
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Never want to come down, never want to go I
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thik back.
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Deel the ground, the watching the words BNSA.
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Spy, never want to come down they never want to
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pay my big back. Den on the ground sh sh
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ship Ship.
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Next up is a more somber and introspective track that
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showcases depeche Mode's ability to create haunting and atmospheric music.
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The song The Things You Said was written by Martin
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Gore and features him on lead vocals, with God providing
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backing vocals. So allow me to take you back to
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this track that was recorded in Paris, which features a lush,
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atmospheric instrumentation that perfectly compliments the melancholic lyrics. Here's depeche
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Mode The Things You Said.
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Webs webs that week as a short.
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Expects as a.
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Console twisted. I think the movie Concert twisted.
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My weakness standing, my weakness.
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My god son to to.
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But then something said, what a twist.
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But it's about the things slips, about the.
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Things in the separating.
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The fattest men so tasting.
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It's rations of.
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NAT you're listening to back to the eighties.
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Welcome eighties fans.
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I have been expecting you.
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You no longer need to listen to any other podcast.
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You want the eighties, don't you? The longing for it
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is swelling you now. I feel the memories coming to you.
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And listen to Back to the Eighties giving to Nostagia.
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With each passing moment, you make your self bar of
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a nineties five.
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It is an avoidable home.
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It is.
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Your destiny. You don't know the power of Back to
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the Eighties.
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You like your childhood a now man, you're back listening
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to the world's greatest albums on Back to the Eighties
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Radio and k Hits ninety two point five. I'm your host,
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Mario Toscano, and we continue today talking about depeche Mode
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and their album Music for the Masses Now. This was
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Depeche Mode's sixth studio album and it was released on
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September two, twenty eight, nineteen eighty seven. Where were you
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in September twenty eight, nineteen eighty seven. I know we
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don't remember, but Depeche Mode does because they launched their
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famous US tour and performed at the Rose Bowl in Pasadena.
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And this following song was probably one of my personal
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favorites from Depeche Mode, which features a funky synth groove,
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sultry vocals from God, and a chorus that's impossible not
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to sing.
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A lot to.
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This is depeche Mode with Strangelove.
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Wee times with my crimes. The single most stuff forgive.
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I give it.
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To sin because you have to make this fiver.
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When you think I'm mad, you know, and you see,
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I'll take on another river.
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Yes I get.
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I'll start a strange jo, strange eyes and strange strange.
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Jo, strange job. When you get into me, when you
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take the face, I will get to the gain a game.
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We can get to it a few days, win a
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straight and they appeared to me.
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But please, I preach my kid.
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To see we se line to practice one. I've preached
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my not trying to say all my way. I'm always
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willing to learn.
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Like you've got.
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Something to teach me. Oh no, I found my who
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you returning?
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I'll say it again. Pay pay who you return I'll
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say it a game, pay.
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Pay you returning.
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I'll see a pay.
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And here it's a strange shop, sprange eies and strange
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so strange job salmon the double strange job where you
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get it some three strange job, strange eyes and strange
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strange job Samon the double strange job where you get
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it some strange job, scringe eies and screens so strange job.
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Salmon the double strange Job where you get it are.
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H m hm.
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Okay, m hm hm okay, m hm.
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H m hmmm.
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You just heard Strange Love by depeche Mode, a song
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that's lyrics speak of a desire for something tamboo or forbidden,
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with lines like I give into sin because you have
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to make this life livable. A quick reminder here on
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the World's Greatest Albums, which is heard on Back to
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the Eighties Radio and on k Hits ninety two point
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five all around the world, you can send us your
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suggestion for an album you want us to cover, and
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if we pick you out of the lot, you're going
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to get a free gift. On behalf of Back to
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the Eighties Radio. Now with a more contemplative track that
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showcases depeche Mode's ability to create haunting and atmospheric music
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as I mentioned before, is a song called Sacred. This
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is another track that perfectly compliments the introspective lyrics. So
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let's listen in to depeche Mode on their song number
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four on the album Music for the Masses.
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To put it, let's to write it down. That is
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walking on Ground. It's my.
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I'm a man, sure Mary, So here is my confession
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it's a session.
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I'm a fully and the long SI.
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My days MG go down.
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I won the team.
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Trying to sell the story, Sime.
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Brand to put it in.
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It was about it down.
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Spot be th brid It's my juty.
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I Pitture.
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Spread Brown take long to fame.
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At the one.
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Go town b s D set thats dottown.
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I don't.
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Trying to sell this song, said.
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Say Brad.
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To put it to back it down. It's poking out
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the bad of the brand that it's my Junie.
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June the mission and read.
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I said.
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The the said.
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To sell to the money down the bottle was.
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Swooping of the battle to sell the wo to.
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The money down, the smoothing on Ba.
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To sell to the money down.
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The smoothing.
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To say.
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Now onto song number five on the Music for the
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Masses album from Depeche Mode. The song was never intended
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to be a single. In fact, it barely made it
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into the album, but a French record label wanted to
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release the song as a single, which became a popular
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import and reached number sixty on the UK Singles charts.
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Now let's listen to little fifteen, Little.
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Fifteen fts.
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What outside.
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You'll know a lot of it gets job, you can drive,
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go away.
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To have happy, a place.
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To have happy, a day.
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That exists in your mind, and then you're smart, shiver escape,
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just small ar fifteen?
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You know fifteen?
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Why take the smooth.
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If the n.
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When things run smooth, it's ready all that an.
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She knows you'll mind. It's not yet me.
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With the rest of the.
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And it's little lit trees? Do you stand? Do you
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don't want you?
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As time goes by, and when you see what she's said,
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you will Little fift day.
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It was fifteen? Why did she have to diffend the
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feelings inside.
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One?
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Pretend she's still had a line.
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A life of them.
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This is.
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Done all that she wants.
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Street it all thishes. She wasn't stealing your lies. She
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wasn't small girls.
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She wants you not.
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And she wants to see you.
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She wants to spond with those. She wants you, and
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he wants little fifteen.
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That was a Little fifteen by Depeche Mode. And While
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the exact meaning of this song can be subjective and
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open to interpretation, it generally explores themes of youth, innocence
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and the complexities of relationships. The lyrics of Little fifteen
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tell the story of a young girl transitioning into womanhood
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and experiencing the challenges and confusion that come with growing up.
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It depicts a sense of vulnerability and the search or identity.
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You're listening to the World's Greatest albums on Back to
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the Eighties Radio and kay Hits ninety two point five.
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You probably don't know.
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How much words can hurt, but cyberbullying is real, whether
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it's in person or behind the screen, just a comment
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or an unnecessary share. Words can hurt a song, Words
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can affect lives, Words can even end lives. This message
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has been brought to you by your friends at care.
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We never stopped.
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We never start, not even when it hurts, didn't hurt,
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didn't hurt, didn't.
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Hurt, not stop.
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Unforgettable memories from the eighties.
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Stopped Back to the eighties.
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This is the world's greatest albums. Here, I'm Back to
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the Eighties Radio and k Hits ninety two point five.
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I'm your host, Mario Tuscano, and we've been listening to
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Depeche Mode's album Music for the Masses, released in nineteen
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eighty seven. Now Coming up Now is a song that
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explores themes of free escape and the allure of the
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