Dec. 8, 2022
The '80s Album of the Week: Madonna


On Today's episode of, "The '80s Album of the Week," Madonna the Debut album. Tune in to https://khits925.com/ Friday, Saturday and Sunday at 6pm(pst)
Let us know which '80s album you'd like to hear covered here on the show. If selected, I'll send out a shoutout and play the album. Go to our Facebook fan page at: https://www.facebook.com/backtothe80sradio and send us a direct message to let us know what you choose.
--- Support this podcast: https://anchor.fm/backtothe80s/supportWEBVTT
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Welcome to the Eighties Album of the Week from the
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music capital of the world, Los Angeles, California. Each weekend
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on k hits ninety two to five dot com, We're
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going to be taking a trip back to the nineteen
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eighties and taking you with us, playing an entire album
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from an artist that you, the eighties fans, have selected.
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You two can drop us your selection for an eighties
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album you want to hear by going to our back
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to the Eighties Facebook page and dropping us a direct message.
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I'm your host, Mario Toscano, and this is the Eighties
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Album of the Week. Last week we heard the Band's
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Survivor with the album of Vital Signs and heard more
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than just movie soundtracks. Today we bring you a legend,
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an icon, and the artist known as the Queen of
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Pod Born Madonna Luis Chiconi on August sixteenth, nineteen fifty eight,
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and moving to New York in nineteen seventy eight to
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begin a career in modern dance, she found her calling
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shortly after in music by joining the Breakfast Club Band
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with her then boyfriend Stephen Bray, who was also the
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drummer in the band. Not long after, she decided to
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go on her own as a solo artist and had
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a short lived experience with Gotham Records. It was Sire
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Records and Warner Brothers who would introduce her to the world.
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Today's album is Madonna, the debut album. After being at
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Sigma Sound Studio in New York for almost a year
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from May of eighty two to May of eighty three,
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she released her album on July twenty seventh, nineteen eighty three.
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Madonna was being sued at the time and needed the money,
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so music executive Jeff Ayeroff told Madonna to release the
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song and he would guarantee that she would sell enough
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records to pay anything off. Lucky Star broke the first
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album wide open. So let's take a listen. This is
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Lucky Star.
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Don't want me my Lucky Star because he shine on me.
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We severn think you and I'm start to.
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Jo line and say, you know, starlight, star light is
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not a thing to starlight, make it a b.
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And all starlight start right start as they do the starlight.
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Yeah you must be Mony Star, come you make the
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darn must see so fall.
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Not be my gag.
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I just.
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The fire side starlight.
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Star burn, and they too nice starlight, maget a ting starlight,
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start right then, and they too, night starlight.
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Come on, shine your tail and fall. You're gonna make everything.
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Come on, shine your heavenly by to night.
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I know you come to make everything.
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Mynkey star, but I'm go love Bob. You maybe my
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monkey star, but I'm lucky.
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Yes, by.
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Start stop right stastick too, night starlight, make it everything
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on starlight, stop right stars stick too, night.
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Star all right.
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Yes, come on, shine your tellorly bald mad because hello,
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you're gonna make everything. Come out shine your tellorly bald
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mad because you're gonna make everything.
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Yes you maybe you only baby, you must starlight start,
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start a thick too, night starlight.
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Make it a thing starlight, sit all right, start a
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thing to night starlight star do all right and make it.
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Oh want your doodle me favor to steam do not.
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Fucking black staring starlight.
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Hi, Mario Tuscano, And this is the eighties album of
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the Week. Madonna pushed the boundaries of artistic expression, which
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incorporated social, political, sexual, and religious themes. She never shied
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away from controversy and critique. Next on the Path is
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a song that became Madonna's first top ten hit on
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the Billboard Hot one hundred and peeking in at number
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ten in June of nineteen eighty four. The song Borderline
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talks about the unrequited love and finds her using refined
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and expressive vocals. The video itself shows her as the
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girlfriend of a Hispanic man, to whom she returns after
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being enticed to that model for a white photographer. So
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join me in. Let's take a listen. This is Borderline
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from the Madonna album.
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Business Spend just sent me Stop. It's not just stop.
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I don't let my lot.
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Let me.
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Shoot.
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Don't you stop?
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John to Lund stand asking my case.
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He's got the best.
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Line.
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He's not component not in skiing off push mother over
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the mot line mon, he's not come on the wet
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new my mind in Bemut sin man love the Lord.
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God game Si naming.
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Don't you know the more you died craving in being
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most p s MA love over the border.
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Some in your up. It's such a pula. Were you
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holding your doms?
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I just kiss me. You must then let me dance.
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When you spend, just get the found, don't drive away.
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I just not mistakes. So I just got to say
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I'm let me time to go to the stairs.
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Sat making a care excuse you got the best Fundy's that.
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Not going with You's not Mike, You're just keeping all
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support ship man.
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Oh the.
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Little little little lie you've got not going to You're
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just keeping off five. Oh, keep on pushing the baby.
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Don't know you that mabbees, mabbeyes, keep on push mano
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over the baton mine?
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But has don't some of babies send breed in the
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beating off.
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Push man It coming so much pain. Think of them?
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Say what does it take? Maybe just seeking off? Push
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mana over the ball, keep pushing.
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Me, give person.
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He just gave.
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After recording Borderline in February of nineteen eighty three, she
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was unhappy with the final version. She felt that too
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many instruments were used and parted ways with the producer,
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Reggie Lucas. She asks Funhouse DJ John Jellyban Benitez to
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remix Borderline and, along with Madonna's vocal change, to present
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a more sentimental track. The song displays an emotional depth
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that hadn't been heard before. You are listening to the
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eighties album of the week. This is Mario Toscano reminding
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you that you can send your request for an eighties
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album that you want us to cover here and help
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introduce to a whole new generation. Just go to our
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Facebook page, send us a direct message, and if your
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album is chosen, we'll send you a shout out on
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the air. Today, we're listening to the beautiful Madonna with
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her first album titled Madonna, now falling into number three
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on the album, we have a song that incorporates bass, guitars, synthesizers,
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and drums, with the lyrics talking to her lack of
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shame and declaring her passion for her lover. This is
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burning up.
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Don't put me off because I won't tell you and
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I can't clenched mine, sire. Don't you know that come
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for your love? You're not convinced that that is enough.
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I put myself in this position and that amposition, but you.
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Don't even know. And there's something in my heart just
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won't die. Im. Oh you always who sing the door
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makes me want you more? Aeen night for you.
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You're not convinced that is enough to just tme. I
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go to you, not tell me what you want me
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to do. I'm you want to want me, but you
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can come on.
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Let go.
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For you.
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I'm do you want to see it down?
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Me? Sand and over?
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That was not who want to be past? Because to
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get it and I'm not persons.
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And come on, let go? Do you want to see
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it down on your knees?
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Sun?
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That was not what you paise because I got to anything.
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I'm not same. No shame as.
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Fire burning up from the nineteen eighty three album titled
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Madonna received positive reviews from critics for the lyrics, but
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they really praise her for the darker composition and dance beats.
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Now it didn't make its way into any charts, but
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it did make its way to dance clubs all over
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the world, where youth and older adults raved about it,
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some people even calling it one of the sexiest songs
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of the eighties.
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Ladies and gentlemen, I'm Shadow Stevens and you must listen
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to back to the eighties radio.
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It's the law.
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The eighties Album of the Week continues with Madonna's first
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release to the world. Reggie Lucas, who was the first
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producer of Madonna's first album, has often felt like credit
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was usually given to John Jellybean Benitas for launching Madonna's career.
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When in fact, Jellybean only remixed her work. Reggie stated
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in an interview that he got tired of everyone taking
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credit for her launch when it was he who produced
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the album. Don't you hate it when someone else tries
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to take the credit for something you've worked so hard for? However,
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sometimes it's best to know that those people taking the
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credit also know the truth, and that can sometimes even
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be sweeter. Now buckle up, because this is I Know
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it by Madonna falling into song number four?
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Know why I thought that you could make me happy?
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These tears are crabbed for. You're so pumpless. I don't
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know why I thought you wi going somewhere to grab
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jall come and you have now. I know you don't ca.
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I know you're gonna take y'all love. I know you
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think the Polish. I know you're gonna turn around and
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say you still think you will my pretty angel coming.
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Don't now you just proving me wrong?
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He brought about that, just recovered all those things we
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said and done.
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I'll just tell you bout your scum.
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The battle glory you're gonna take.
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Yo think I'm I'm gonna down around to take, But
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I'm not gonna cry for you. That's what you want
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to take you.
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No, I'm.
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For you and.
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The lay you're gonna take Yallo, the poneus.
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On the down around take go love and run from me,
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He says, No, suppose down the things that I can't see.
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You can't pull me because I'm the cone crash. That's
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what you want me to do. No, I'm a cone
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cry gonna taken down around Think done.
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After not having enough songs on the Future debut album,
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Reggie Lucas brought her two new songs for the project,
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one of them being the hit You're About to Hear.
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Receiving her first mainstream hit single and rave reviews came
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a song that peeked in at number sixteen on the
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Billboard Top one hundred and number one in the Dance
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Club Songs chart. Get Ready to Dance along with the
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millions that got down to the groove of holiday.
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Tuesday Sunday, Monday.
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Sunday. If we took the holiday.
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Sometime to celebray just one day out of that, use.
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Would be all day. Three said both.
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We're gonna have the fel abras, Oh God for you,
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never mad, It's.
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Time up, good time forget about the bad time. Oh
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here one day you come together with these tele pressure.
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We need a holiday.
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If we talk the holiday, if you didn't you put.
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Some time to celebrate, come God to celebrate one day.
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It's kind of life.
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It would be. It would be don you can turn
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this where we're them and bring back all of the
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happy day. Would your tub down? You turn set right
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level shine.
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And we will find a way to come together and
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make things better up.
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We need a holiday.
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We talk the holiday you found out.
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There sometimes Thursday, say one day out.
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Of that, that's Monday.
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It would be it would be all night, true true.
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Holiday.
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Say celebrate.
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Hi Mario Tascana And this is the eighties album of
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the week. Join us every week as we listened through
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the entire album as the artist originally intended, and how
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we that grew up in that era of vinyl cassettes
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and CDs used to listen as well. Remember what it
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was like to save your money for that long awaited album,
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going to the music store, taking in the sounds as
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