Dec. 8, 2022

The '80s Album of the Week: Madonna

The '80s Album of the Week: Madonna
The '80s Album of the Week: Madonna
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The '80s Album of the Week: Madonna
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On Today's episode of, "The '80s Album of the Week," Madonna the Debut album. Tune in to https://khits925.com/ Friday, Saturday and Sunday at 6pm(pst)

Let us know which '80s album you'd like to hear covered here on the show. If selected, I'll send out a shoutout and play the album. Go to our Facebook fan page at: https://www.facebook.com/backtothe80sradio and send us a direct message to let us know what you choose.

--- Support this podcast: https://anchor.fm/backtothe80s/support
WEBVTT

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Welcome to the Eighties Album of the Week from the

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music capital of the world, Los Angeles, California. Each weekend

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on k hits ninety two to five dot com, We're

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going to be taking a trip back to the nineteen

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eighties and taking you with us, playing an entire album

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from an artist that you, the eighties fans, have selected.

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You two can drop us your selection for an eighties

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album you want to hear by going to our back

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to the Eighties Facebook page and dropping us a direct message.

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I'm your host, Mario Toscano, and this is the Eighties

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Album of the Week. Last week we heard the Band's

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Survivor with the album of Vital Signs and heard more

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than just movie soundtracks. Today we bring you a legend,

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an icon, and the artist known as the Queen of

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Pod Born Madonna Luis Chiconi on August sixteenth, nineteen fifty eight,

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and moving to New York in nineteen seventy eight to

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begin a career in modern dance, she found her calling

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shortly after in music by joining the Breakfast Club Band

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with her then boyfriend Stephen Bray, who was also the

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drummer in the band. Not long after, she decided to

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go on her own as a solo artist and had

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a short lived experience with Gotham Records. It was Sire

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Records and Warner Brothers who would introduce her to the world.

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Today's album is Madonna, the debut album. After being at

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Sigma Sound Studio in New York for almost a year

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from May of eighty two to May of eighty three,

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she released her album on July twenty seventh, nineteen eighty three.

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Madonna was being sued at the time and needed the money,

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so music executive Jeff Ayeroff told Madonna to release the

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song and he would guarantee that she would sell enough

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records to pay anything off. Lucky Star broke the first

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album wide open. So let's take a listen. This is

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Lucky Star.

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Don't want me my Lucky Star because he shine on me.

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We severn think you and I'm start to.

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Jo line and say, you know, starlight, star light is

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not a thing to starlight, make it a b.

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And all starlight start right start as they do the starlight.

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Yeah you must be Mony Star, come you make the

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darn must see so fall.

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Not be my gag.

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I just.

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The fire side starlight.

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Star burn, and they too nice starlight, maget a ting starlight,

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start right then, and they too, night starlight.

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Come on, shine your tail and fall. You're gonna make everything.

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Come on, shine your heavenly by to night.

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I know you come to make everything.

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Mynkey star, but I'm go love Bob. You maybe my

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monkey star, but I'm lucky.

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Yes, by.

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Start stop right stastick too, night starlight, make it everything

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on starlight, stop right stars stick too, night.

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Star all right.

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Yes, come on, shine your tellorly bald mad because hello,

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you're gonna make everything. Come out shine your tellorly bald

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mad because you're gonna make everything.

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Yes you maybe you only baby, you must starlight start,

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start a thick too, night starlight.

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Make it a thing starlight, sit all right, start a

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thing to night starlight star do all right and make it.

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Oh want your doodle me favor to steam do not.

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Fucking black staring starlight.

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Hi, Mario Tuscano, And this is the eighties album of

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the Week. Madonna pushed the boundaries of artistic expression, which

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incorporated social, political, sexual, and religious themes. She never shied

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away from controversy and critique. Next on the Path is

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a song that became Madonna's first top ten hit on

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the Billboard Hot one hundred and peeking in at number

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ten in June of nineteen eighty four. The song Borderline

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talks about the unrequited love and finds her using refined

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and expressive vocals. The video itself shows her as the

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girlfriend of a Hispanic man, to whom she returns after

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being enticed to that model for a white photographer. So

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join me in. Let's take a listen. This is Borderline

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from the Madonna album.

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Business Spend just sent me Stop. It's not just stop.

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I don't let my lot.

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Let me.

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Shoot.

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Don't you stop?

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John to Lund stand asking my case.

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He's got the best.

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Line.

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He's not component not in skiing off push mother over

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the mot line mon, he's not come on the wet

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new my mind in Bemut sin man love the Lord.

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God game Si naming.

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Don't you know the more you died craving in being

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most p s MA love over the border.

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Some in your up. It's such a pula. Were you

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holding your doms?

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I just kiss me. You must then let me dance.

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When you spend, just get the found, don't drive away.

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I just not mistakes. So I just got to say

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I'm let me time to go to the stairs.

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Sat making a care excuse you got the best Fundy's that.

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Not going with You's not Mike, You're just keeping all

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support ship man.

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Oh the.

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Little little little lie you've got not going to You're

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just keeping off five. Oh, keep on pushing the baby.

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Don't know you that mabbees, mabbeyes, keep on push mano

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over the baton mine?

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But has don't some of babies send breed in the

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beating off.

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Push man It coming so much pain. Think of them?

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Say what does it take? Maybe just seeking off? Push

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mana over the ball, keep pushing.

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Me, give person.

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He just gave.

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After recording Borderline in February of nineteen eighty three, she

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was unhappy with the final version. She felt that too

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many instruments were used and parted ways with the producer,

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Reggie Lucas. She asks Funhouse DJ John Jellyban Benitez to

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remix Borderline and, along with Madonna's vocal change, to present

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a more sentimental track. The song displays an emotional depth

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that hadn't been heard before. You are listening to the

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eighties album of the week. This is Mario Toscano reminding

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you that you can send your request for an eighties

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album that you want us to cover here and help

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introduce to a whole new generation. Just go to our

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Facebook page, send us a direct message, and if your

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album is chosen, we'll send you a shout out on

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the air. Today, we're listening to the beautiful Madonna with

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her first album titled Madonna, now falling into number three

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on the album, we have a song that incorporates bass, guitars, synthesizers,

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and drums, with the lyrics talking to her lack of

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shame and declaring her passion for her lover. This is

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burning up.

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Don't put me off because I won't tell you and

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I can't clenched mine, sire. Don't you know that come

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for your love? You're not convinced that that is enough.

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I put myself in this position and that amposition, but you.

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Don't even know. And there's something in my heart just

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won't die. Im. Oh you always who sing the door

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makes me want you more? Aeen night for you.

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You're not convinced that is enough to just tme. I

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go to you, not tell me what you want me

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to do. I'm you want to want me, but you

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can come on.

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Let go.

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For you.

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I'm do you want to see it down?

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Me? Sand and over?

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That was not who want to be past? Because to

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get it and I'm not persons.

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And come on, let go? Do you want to see

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it down on your knees?

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Sun?

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That was not what you paise because I got to anything.

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I'm not same. No shame as.

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Fire burning up from the nineteen eighty three album titled

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Madonna received positive reviews from critics for the lyrics, but

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they really praise her for the darker composition and dance beats.

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Now it didn't make its way into any charts, but

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it did make its way to dance clubs all over

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the world, where youth and older adults raved about it,

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some people even calling it one of the sexiest songs

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of the eighties.

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Ladies and gentlemen, I'm Shadow Stevens and you must listen

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to back to the eighties radio.

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It's the law.

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The eighties Album of the Week continues with Madonna's first

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release to the world. Reggie Lucas, who was the first

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producer of Madonna's first album, has often felt like credit

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was usually given to John Jellybean Benitas for launching Madonna's career.

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When in fact, Jellybean only remixed her work. Reggie stated

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in an interview that he got tired of everyone taking

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credit for her launch when it was he who produced

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the album. Don't you hate it when someone else tries

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to take the credit for something you've worked so hard for? However,

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sometimes it's best to know that those people taking the

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credit also know the truth, and that can sometimes even

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be sweeter. Now buckle up, because this is I Know

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it by Madonna falling into song number four?

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Know why I thought that you could make me happy?

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These tears are crabbed for. You're so pumpless. I don't

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know why I thought you wi going somewhere to grab

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jall come and you have now. I know you don't ca.

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I know you're gonna take y'all love. I know you

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think the Polish. I know you're gonna turn around and

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say you still think you will my pretty angel coming.

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Don't now you just proving me wrong?

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He brought about that, just recovered all those things we

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said and done.

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I'll just tell you bout your scum.

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The battle glory you're gonna take.

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Yo think I'm I'm gonna down around to take, But

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I'm not gonna cry for you. That's what you want

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to take you.

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No, I'm.

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For you and.

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The lay you're gonna take Yallo, the poneus.

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On the down around take go love and run from me,

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He says, No, suppose down the things that I can't see.

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You can't pull me because I'm the cone crash. That's

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what you want me to do. No, I'm a cone

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cry gonna taken down around Think done.

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After not having enough songs on the Future debut album,

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Reggie Lucas brought her two new songs for the project,

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one of them being the hit You're About to Hear.

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Receiving her first mainstream hit single and rave reviews came

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a song that peeked in at number sixteen on the

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Billboard Top one hundred and number one in the Dance

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Club Songs chart. Get Ready to Dance along with the

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millions that got down to the groove of holiday.

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Tuesday Sunday, Monday.

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Sunday. If we took the holiday.

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Sometime to celebray just one day out of that, use.

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Would be all day. Three said both.

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We're gonna have the fel abras, Oh God for you,

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never mad, It's.

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Time up, good time forget about the bad time. Oh

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here one day you come together with these tele pressure.

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We need a holiday.

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If we talk the holiday, if you didn't you put.

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Some time to celebrate, come God to celebrate one day.

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It's kind of life.

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It would be. It would be don you can turn

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this where we're them and bring back all of the

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happy day. Would your tub down? You turn set right

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level shine.

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And we will find a way to come together and

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make things better up.

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We need a holiday.

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We talk the holiday you found out.

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There sometimes Thursday, say one day out.

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Of that, that's Monday.

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It would be it would be all night, true true.

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Holiday.

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Say celebrate.

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Hi Mario Tascana And this is the eighties album of

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the week. Join us every week as we listened through

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the entire album as the artist originally intended, and how

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we that grew up in that era of vinyl cassettes

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and CDs used to listen as well. Remember what it

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was like to save your money for that long awaited album,

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going to the music store, taking in the sounds as

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you walked in through the door, listening to what was

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being played through the speakers in that shop, making your

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way through the aisles of people browsing through rows and

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stacks of music from wall to wall. Well, we want

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to introduce the eighties to a new generation that's never

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experienced that to hear more than just a background playlist.

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So now this next song is a song where Madonna

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warns her lover that he should pay attention or else

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she's gonna take off. You're gonna love the cool saxophone

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interlude as you think of her, here's think of me.

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I'm always trying.

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The you.

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I know you're going to say belong and say let's do.

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Then you'll think up me.

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Oh you walk in than see me crying? You father,

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just say you NaSTA time. I'm don't cry anymore. You

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don't me two if you don't know.

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What don't you say? I know you want to thank

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not me, belong to make up. Let's have done and

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you'll make me so you want to you so way

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to miss brand. You want to see me? Don't want

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to save it now?

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I to be.

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No thank me? Oh yeah, you know thank you know

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your time by.

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You? You do you?

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Oh yeah, stop wasting omad.

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You know I've been so she got a WoT on

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a side that you know that someone else time I

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tell you, I.

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Know you want to ray.

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You know your family crazy.

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Me, you have me.

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Very home of time. You know it ter you better,

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you better, you will do it.

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You know you.

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You you know.

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Even though she went on to record stronger, more varied,

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personal and acclaimed albums, this album showed the world her

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developing voice and creative instincts that she would be a

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force to hit the musical stage harder than anyone would

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ever imagine. It was her professionalism, ingenuity, her musical feel,

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and her physical attraction that made Madonna into the pop

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sensation that she would become. So let's continue listening to

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song number seven on the album Physical Attraction, and you

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want nobody.

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I don't mind.

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I've got this time and I wait to make your mind.

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I say you won't say the man, but leave me tomorrow.

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I don't care. We can take it the deeper.

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Tection. Kilm go.

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There's a girl Chakil'll go to get away, but I

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can't leave the way.

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The go.

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You're touching, diving me crazy when you smile, it's just

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may here know what you moll.

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We don't want to say.

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Oh it could be still a girl of six.

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Yelm age shade. Oh there's a girl of six shot.

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Wee that shine. Maybe we will men to be tgether

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people known.

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The movie all.

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Ri you will welcome slowly bursdo from.

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Bom boom boom boom stop.

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You're confusing if you want me, but I know that

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I won't be. That's happened to be ashamed.

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Well, you say letting me mind love and you want

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in my body.

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I don't mind, baby.

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All I've got is time and I want you till

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to make your mind. Say you honestly the night, but

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leave me tomorrow.

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I don't care, or you'll move out.

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We can take it and they aware pays the attraction

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to him. I'll cover it and shine.

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Physical tection, sweet sad shine.

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Yeah, maybe we will be twogether.

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Even movie now bo met beef. We got to move

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it for the fun inside a little bit, walking slowly

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a f.

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There's a gallo je shot.

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Camera go it and shine.

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Bathing attack.

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Camera go shine. Yeah, so much sad fashion jack, Oh

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so much sad.

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Fact.

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The basic avant go a bad attack, show Scama, go Agama, go.

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It a shina.

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Attack, show Agama, go Agama going a shine attack.

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Incorporating R and B infused beats. There was a lot

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more that Madonna brought to the table than just being

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a pretty girl that could dance. The final song on

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the album charted on the Billboard Hot Dance Club Songs

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and helped her achieve her first appearance on a chart

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and sold over two hundred and fifty thousand copies after release.

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So let's listen to this song that puts the stamp

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of approval on an artist that would change the world

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of music from her debut album, This is Everybody, Superbody.

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Someone saying Superbody, get a full, do your fans, let

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the news take control, and a girl, let yourself go.

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The room begins to sways, no bos, try to say gold,

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take chest, get up.

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Step tails, let the ga shake you, let the music

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taste it.

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Silver Money, someone saying Superbody.

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Get a full, do your thanks.

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Seven Body, someone you saying super money.

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Get a fel do your fangs. Shall not take a ride,

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feel the beasts and stemside.

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Sink n you won't go round your job upside down.

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Gonna have to change my mind.

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She's gonna leave your joys. You are and beg and

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make no motion. Superb. Somehow super Mony can do your face.

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Seven Body, Somehow super Mony can do your thanks. Somehow

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superbody can do your thanks, super money, somehow superbody can

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do your face sick, dances and your things, dances and

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your things.

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Dance sim saying, list and your thing, d you sing

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and your thing.

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You s.

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Yes, watched myself, Yeah, come on, come on, separate body.

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Somehow to say seven mony, get an, do your thanks,

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separate money.

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00:45:18.320 --> 00:45:24.239
Somehow does thanks super modey getting fun, do your face.

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Little news to control fn goose, let yourself come, no

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room begins to swarves, no one.

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I'm trying to say severer money.

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Somehow to say super money, get about, do your face, superbody,

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somehow say super money, get an, do your thanks, separate money,

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00:45:58.320 --> 00:46:06.800
somehow doesn't fine, superbod doll your p super bow, somehow

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00:46:07.119 --> 00:46:19.280
that superbad still your superbaying out coming, superb out, tell

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your God, Superboud some out dandy time, superboud, get out,

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tell your set. Summer sevenbody sent to sevenbody, summer severybody,

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center your things seven by Monday, ser saw you going saberbe.

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Some sebody s.

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That was Madonna from her debut album titled with the

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same name, A name that will go down in history

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and in the record books as the best selling female

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00:47:19.719 --> 00:47:23.159
artist of all time, having generated over one point five

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billion dollars from ticket sales from her concerts and grossing

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00:47:27.000 --> 00:47:30.599
over one point four between nineteen ninety and twenty twenty.

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She remains the only woman in history to ever sell

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00:47:34.440 --> 00:47:37.440
out two solo concerts with over one hundred thousand sold

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tickets and audiences of over one hundred and thirty thousand

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people at one time. So when someone asks you who's

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00:47:44.840 --> 00:47:49.480
that girl, just tell them it's Madonna. Look her up. Well,

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that's it for today's Eighties Album of the Week. If

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00:47:52.679 --> 00:47:55.280
you enjoyed the show, drop us a note, please give

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00:47:55.360 --> 00:47:58.079
us a review and thumbs up, Tell your friends and

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00:47:58.239 --> 00:47:59.920
let us know what album you want to hear.

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00:48:00.000 --> 00:48:00.880
You're next on the show.

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Until next time.

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This is Mario Soscano and this has been the Eighties

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Album of the Week on Back to the Eighties Radio Network.

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00:48:08.840 --> 00:48:12.519
Be safe, be well, and go out there and introduce

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00:48:12.559 --> 00:48:14.840
the eighties to a whole new generation.