April 25, 2024

The End of Radio As We Knew It - Part 1

The End of Radio As We Knew It - Part 1
The End of Radio As We Knew It - Part 1
Back to the 80s Radio
The End of Radio As We Knew It - Part 1

Tune in to this week's episode of "The End of Radio As We Knew It - Part 1" as we explore the fascinating demise of traditional radio, tracing its decline back to the Telecommunications Act of 1996. Delve into a discussion on how this pivotal...

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Spreaker podcast player iconiHeartRadio podcast player iconPandora podcast player iconAmazon Music podcast player iconApple Podcasts podcast player iconSpotify podcast player iconTuneIn podcast player iconCastro podcast player iconRSS Feed podcast player icon

Tune in to this week's episode of "The End of Radio As We Knew It - Part 1" as we explore the fascinating demise of traditional radio, tracing its decline back to the Telecommunications Act of 1996. Delve into a discussion on how this pivotal legislation reshaped the radio landscape, altering its once vibrant and diverse programming. Join us as we reminisce about the golden era of radio in the 1980s, highlighting the captivating entertainment it offered and reflecting on how it differs from today's radio experience.

Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

WEBVTT

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00:00:07.120 --> 00:00:12.359
If you are listening to Beck to
eighties radio and speaking of Wall's disong by

2
00:00:12.679 --> 00:00:17.559
Wall of Voodoo. This was Mexican
radio, a very popular subject for a

3
00:00:17.679 --> 00:00:21.920
very popular candidate, released nineteen eighty
two from a single from the album called

4
00:00:22.000 --> 00:00:25.160
Call of the West, brought to
you by the two Johnson's. That's right,

5
00:00:25.239 --> 00:00:29.559
Johnson and Johnson. I am Johnson, Murphy and my compatriot, my

6
00:00:29.679 --> 00:00:33.920
compadre, Dick Johnson. Dick.
Hey, cats and kitties, how you

7
00:00:34.000 --> 00:00:38.679
doing out there with the radio world. We are hanging tight like the left

8
00:00:38.719 --> 00:00:43.560
ball, right ball in a nice
pocket. Hey. I caught this sing

9
00:00:43.560 --> 00:00:46.719
in the news just the other day, and I know we were rapping about

10
00:00:46.759 --> 00:00:51.039
it. It's about our great former
president, that's right, Donnie Trump.

11
00:00:51.280 --> 00:00:54.320
You know what, why don't you
go ahead, mister Johnson and tell our

12
00:00:54.520 --> 00:00:59.840
beautiful listeners of the little story that's
out in the press that we were discussing

13
00:01:00.200 --> 00:01:04.719
just the other day in our cubicle. We're gonna be talking about the big

14
00:01:04.799 --> 00:01:10.239
Daddy d that's right, the big
t oh, the ex president. Just

15
00:01:10.239 --> 00:01:12.560
for your information. If you haven't
seen the news lately, you know,

16
00:01:12.599 --> 00:01:17.359
and this is no secret that he
is a McDonald's lover and also a Taco

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00:01:17.439 --> 00:01:23.000
Bell lover. Will Unfortunately for Big
Daddy D he's been recently spotted. You're

18
00:01:23.040 --> 00:01:29.519
gonna like this spotted. He's gotten
some irritable Bell syndrome lately, Johnson,

19
00:01:29.519 --> 00:01:32.760
what do you think of that?
Any times somebody's got their head off their

20
00:01:32.760 --> 00:01:36.959
ass, you're gonna suffer some type
of scenario where it's gonna hurt out there.

21
00:01:37.040 --> 00:01:40.000
Now, I'll tell you I'm a
big fan of the Taco Bell.

22
00:01:40.359 --> 00:01:42.719
You know that. Frequently I will
go get our lunch. We're in our

23
00:01:42.760 --> 00:01:47.640
pubicle, I mean cubicle, and
I'll get us a couple of tasty,

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00:01:48.400 --> 00:01:53.239
crunchy taco burritos at Taco Bell,
the number one place, remember south of

25
00:01:53.280 --> 00:01:57.400
the border, Taco Bell, that's
where you want to go. What the

26
00:01:57.439 --> 00:02:00.480
hell anyway? Talking about Big Donnie, you forget about their eighties in Curito

27
00:02:00.680 --> 00:02:07.639
only available. Holy man, that's
right. And if you are also back

28
00:02:07.800 --> 00:02:12.039
from the eighties, go down there
in town Toscato and Chang sent you.

29
00:02:12.080 --> 00:02:16.319
But tonight, Johnson and Johnson,
we're taking over the airways talking about Big

30
00:02:16.400 --> 00:02:25.120
d Donnie Trump and his irritable ball
o. Ho is irritable? Oh you

31
00:02:25.159 --> 00:02:30.039
know what buddy, I've had that
problem in the past, have you.

32
00:02:30.159 --> 00:02:31.960
Well, you know what, they
sell them, some good good stuff,

33
00:02:32.039 --> 00:02:37.639
especially down down south after the border. You know, you know what.

34
00:02:37.840 --> 00:02:42.520
I think Donnie was chopping up emmodiums
so him and his son could get their

35
00:02:42.560 --> 00:02:46.240
heads out of their ass. Man, old man, ladies and gentlemen.

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00:02:46.439 --> 00:02:51.240
It doesn't matter what political party you
belong to. Right now, the United

37
00:02:51.319 --> 00:02:57.759
States is in I would say the
cave or the cavern or only shit flows

38
00:02:57.840 --> 00:03:00.960
west side? Hey, talking about
west side and ship blowing. Oh,

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00:03:00.199 --> 00:03:06.879
Johnson and Johnson tonight have a show
that is designed only for you all,

40
00:03:06.960 --> 00:03:13.719
you lovers of terrestrial FM or AM
radio. We all suffer the RP.

41
00:03:14.400 --> 00:03:17.439
But that's another story. Hey Johnson, why don't you go ahead and take

42
00:03:17.560 --> 00:03:23.599
us out with another great tune and
tell us about our sponsors. I gotta

43
00:03:23.639 --> 00:03:27.120
go quickly in the back and do
a little bit of peekaboo and drop the

44
00:03:27.199 --> 00:03:30.759
kids off at the pool, if
you know what I'm talking about. Back

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00:03:30.800 --> 00:03:34.080
to the eighties radio. This has
been Johnson and Johnson here. Back to

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00:03:34.159 --> 00:03:38.599
the eighties radio. Coming up next, a little something from nineteen eighty.

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00:03:38.680 --> 00:03:40.599
I know this is going to make
some people's ears bleed. But this is

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00:03:40.639 --> 00:03:44.919
the spirit of radio. Bye Rush
are the one and only back to the

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00:03:44.960 --> 00:04:26.279
eighties radio. Begin the day with
the friendly boys of the many, jus

50
00:04:28.000 --> 00:04:43.800
lay sad son not so elasent and
the man music with your mom, your

51
00:04:45.120 --> 00:04:51.920
day. This magic can't go things
on the spabing the ingles of the man,

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00:04:53.399 --> 00:05:21.439
contact your son, crackle with life. Why did something? And at

53
00:05:21.480 --> 00:05:33.319
a time is way. Think by
the games as the shapely making up new

54
00:05:35.160 --> 00:05:46.079
way. Not a lot to challenge
your honesty. You're honestly what might be

55
00:05:46.279 --> 00:06:14.199
lady music a piss and then he
is compromising shadowy and you did not des

56
00:06:14.680 --> 00:06:30.240
log smuckling U b y je not
that side. The d blake is based

57
00:06:30.560 --> 00:07:49.800
on boats. So the buffets were
written cotton googs with the sound of salesman,

58
00:07:51.920 --> 00:08:41.159
of salesman, sales There, my
Brady'll believe me. I like it

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00:08:41.399 --> 00:08:45.279
loud. I'm a man with a
box that can rock the crowd down the

60
00:08:45.360 --> 00:08:48.039
street to the heart to a beam. J. D. C By braids

61
00:08:48.080 --> 00:08:54.679
the coffee. Sorry you can't understand, but I need a radio inside my

62
00:08:54.960 --> 00:08:58.600
hand to me to a opposite door, saying what I can't my file away

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00:08:58.759 --> 00:09:03.279
that I'm saying this is my story
is bro. My neighborhood is tak but

64
00:09:03.440 --> 00:09:07.120
a still sport goal and I'm out
to crush my name. It's cool Jay,

65
00:09:07.200 --> 00:09:09.720
I tell a state the show,
But I couldn't survive without a radio

66
00:09:11.200 --> 00:09:13.120
shot A one of them singers with
the head of these bases. I keep

67
00:09:13.159 --> 00:09:18.120
the sucking this bad. I'm a
look on my face my radio band from

68
00:09:18.200 --> 00:09:20.919
the Bullo Barn. I'm a heap
popcaateser and my name is Tar, just

69
00:09:22.200 --> 00:09:26.080
the lady by the beat bus out
the rhyme to get fresh bat of reason.

70
00:09:26.120 --> 00:09:28.879
If it won't rewind to play every
day, even on the subway,

71
00:09:30.200 --> 00:09:33.919
I would have got a summers but
I ran away the leader of the show

72
00:09:33.080 --> 00:09:37.480
keeping you on the gold. But
I know I can't live without a radio

73
00:09:43.720 --> 00:09:46.360
songs on my top win a one
of a block. I really don't care

74
00:09:46.480 --> 00:09:50.799
if it's jealous or not, because
I make the song. You sing a

75
00:09:50.039 --> 00:09:54.840
long and your radio death where my
record is off ship off the wall will

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00:09:54.879 --> 00:10:01.480
come in farm on your radio problems
have nothing song you rich beats making ends

77
00:10:01.559 --> 00:10:05.200
for fun and my radio foud like
a fighter long the floor five rates,

78
00:10:05.399 --> 00:10:11.159
the walk in the face makes my
head trump sea thing that sounds and my

79
00:10:11.320 --> 00:10:13.240
ride get the front end back you
you were think it was a party,

80
00:10:13.320 --> 00:10:18.039
not a Cadillac of the alp with
the windows too, and my maker so

81
00:10:18.279 --> 00:10:22.559
loud, and you rich your glue
carryo something like a sabage beech. The

82
00:10:22.679 --> 00:10:26.919
level all my power meter will not
decrease. The sucker's getting mad because the

83
00:10:28.000 --> 00:10:31.000
girl, he screamed, and a
still getting paid. Why you're looking at

84
00:10:31.039 --> 00:10:33.759
me? Mean, I'm the leader
of the show, keeping you on the

85
00:10:33.879 --> 00:10:37.600
gold. But I know I can't
live without a radio. I'm the leader

86
00:10:37.720 --> 00:10:39.879
of the show keeping you on the
goat man, I know I can't live

87
00:10:39.919 --> 00:10:50.000
without a radio. Don't fun that
time. I'm feel upset, Mike going

88
00:10:50.080 --> 00:10:54.279
to a big rip off your neck
the radio something when I'm down and I'm

89
00:10:54.279 --> 00:10:58.840
playing I'm the royal chief rock of
l el couch the pix what fountain,

90
00:11:00.039 --> 00:11:03.480
I'm right the left because it's an
actual fact. This jam is death stepping

91
00:11:03.559 --> 00:11:07.960
in lead cree eighty five, me
going down and radio his the reed.

92
00:11:09.240 --> 00:11:13.559
I'm good to go on your radio, and I'm cod getting paid because Rick

93
00:11:13.679 --> 00:11:18.080
said so. The Whooper's wallet and
your tweet is twist and something jellous knuck

94
00:11:18.120 --> 00:11:22.519
on heads might try to just put
it him, starting them. My radio's

95
00:11:22.600 --> 00:11:26.320
loud enough to keep you sunching the
fund to school chain. I'm promm no

96
00:11:26.440 --> 00:11:33.120
problem circulating through your radio non stop, looking at the wires behind the concession.

97
00:11:33.200 --> 00:11:35.480
And now I'm off the right standing
on your jack. It's bettering light

98
00:11:35.600 --> 00:11:41.080
blue bloomers. A whole lot of
gold had chance like these tb in control,

99
00:11:41.480 --> 00:11:43.120
the leader of the show, keeping
you on the gold man. I

100
00:11:43.240 --> 00:11:54.960
know I can't live with I'm a
radio. Your energy levels started increase as

101
00:11:54.120 --> 00:11:58.840
my big beat is slowly relief.
I'm on the radio and at the jam

102
00:12:00.120 --> 00:12:03.440
hell el cool, Cha's who I
am. I'm gonna make your hands hoogie

103
00:12:03.519 --> 00:12:07.600
down. Then rocket and the scratch
as shade to my musical blot and two

104
00:12:07.720 --> 00:12:24.279
expand my musical playing co creator rock
the beat with your hands right shod,

105
00:12:24.320 --> 00:12:28.360
don't try to funk the movie and
she's become Moti baby by the funkies room

106
00:12:28.759 --> 00:12:33.639
to see me and Earl chilling off
the block with my box cold kicking with

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00:12:33.799 --> 00:12:37.399
the case. The rock people can't
stop me. Neither can't a leak.

108
00:12:37.639 --> 00:12:41.120
I'm a musical madiac. Save the
lead. You and your Brady yoa.

109
00:12:41.240 --> 00:12:46.360
I mean this for Cool Chase here
to devastate once more, Broly all the

110
00:12:46.480 --> 00:12:50.559
girls taking out them seat they for
trying to disrespect me. I just say,

111
00:12:50.679 --> 00:12:54.960
please, can't to command the heck
hot Lands kicking live with a box

112
00:12:54.120 --> 00:12:58.799
inside my hands. I'm the leader
of the should keeping you on the gold.

113
00:12:58.919 --> 00:13:05.440
But I know I can't live about
my radio Bomas full of bars.

114
00:13:05.120 --> 00:13:09.399
Yeah you know that when we hang
out too loud, you know what I'm

115
00:13:09.440 --> 00:14:28.720
saying. That's where the cribs at. Welcome one and all. This is

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00:14:28.759 --> 00:14:33.720
the one and only back to the
eighties Radio. We've got a great show.

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00:14:33.200 --> 00:14:39.399
And speaking of great shows, you
just heard Spirit of Radio by Rush.

118
00:14:39.080 --> 00:14:43.799
You also heard I Can't Live without
My Radio by ll Cool J with

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00:14:45.000 --> 00:14:50.320
Me is a man that has scratched
more records than any DJ possible in the

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00:14:50.399 --> 00:14:54.919
nineteen eighties. He's been seen traveling
with your boulevard at nights on Sundays,

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00:14:56.320 --> 00:15:01.759
just like he used to, and
stopping by both Tommies and King Taco.

122
00:15:01.320 --> 00:15:07.840
Here is the King Taco himself.
This is the one and only changed order.

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00:15:09.080 --> 00:15:11.360
How are you all doing tonight?
Welcome to Back to the Eighties Radio

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00:15:11.440 --> 00:15:16.600
with Tuscano and Chang Oh oh,
Mike won Badde, my hit, my

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00:15:16.840 --> 00:15:20.919
God now, yes he spoke it
true. Yes, back in the eighties,

126
00:15:22.200 --> 00:15:26.720
I was on Whittier Boulevard making out
with Cholas, fighting with Cholos.

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00:15:26.879 --> 00:15:31.519
Either way, it was a good
time. So welcome all of you.

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00:15:31.840 --> 00:15:37.840
Tuscano, oh oh man. We
are going to discuss the decline of what

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00:15:37.320 --> 00:15:43.480
was once free form radio, the
death, the loss, and the walk

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00:15:43.559 --> 00:15:48.440
away from terrestrial radio. You know, one of the biggest things, ladies

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00:15:48.440 --> 00:15:52.960
and gentlemen, that the newer generation
will never get to experience is the freedom

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00:15:52.000 --> 00:15:56.799
that we had in radio, the
freedom that the on air personality had as

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00:15:56.919 --> 00:15:58.799
well. We're going to talk a
little bit about the nineteen ninety six Act,

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00:16:00.000 --> 00:16:02.799
even though this is a show from
the eighties, but the Telecommunications Act

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00:16:02.799 --> 00:16:07.279
of nineteen eighty six significantly changed radio
forever. We're also going to talk about

136
00:16:07.360 --> 00:16:14.000
the deregulation of ownership, consolidation of
ownership, the content, the impact on

137
00:16:14.120 --> 00:16:19.919
local content, competition, innovation,
the lack of radio personalities, the lack

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00:16:21.120 --> 00:16:26.279
of improv skills, the lack of
quality music, and in general, to

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00:16:26.399 --> 00:16:33.039
decline of the world of radio.
And oh, hang, hang on,

140
00:16:33.320 --> 00:16:34.720
hang on. We're getting a phone
call here. Why why is this?

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00:16:36.000 --> 00:16:38.120
This is our private line. Yeah, that's the red phone line. It's

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00:16:38.200 --> 00:16:42.159
the red line, my friend,
you answered, I'm not answering. You

143
00:16:42.279 --> 00:16:47.000
answered, Hey, how you doing? You've reached Back to the eighties radio

144
00:16:47.159 --> 00:16:51.200
chang here of Tusconaw and chang.
How can I address this call and put

145
00:16:51.279 --> 00:16:53.480
it out to our lovely listeners?
What's crack alac? And how's your wheelchacking?

146
00:16:53.519 --> 00:16:57.279
Who is this? What are you
doing? We're doing what you hired

147
00:16:57.360 --> 00:17:00.399
us to do. We're doing the
show. We're in retaining the masses.

148
00:17:02.919 --> 00:17:06.160
Well, of course it's on the
air. You're live on Back to the

149
00:17:06.240 --> 00:17:08.759
Eighties Radio. Our dear program director, give me over here and now,

150
00:17:10.119 --> 00:17:11.279
Steve, we're not going to take
you off the air right now. Man,

151
00:17:11.319 --> 00:17:15.720
we're in the middle of the free
form flow of Back to the Eighties

152
00:17:15.880 --> 00:17:19.240
Radio. We have our listeners like
we're on a fishing boat, hooked and

153
00:17:19.599 --> 00:17:23.079
sun. What do you have to
tell us that you can't tell our listeners?

154
00:17:23.200 --> 00:17:26.920
After all? Isn't that all we
pay the bills around here? Stevie

155
00:17:27.039 --> 00:17:30.160
boy, come on, come on, just lighten up, buddy, lighting

156
00:17:30.279 --> 00:17:33.319
up, Get me off here now, that's up to you. You're the

157
00:17:33.519 --> 00:17:37.279
editor. No, no, we're
not getting you off the air. Come

158
00:17:37.319 --> 00:17:41.839
on, come on, Steve,
you're talking to me and Tosky. We're

159
00:17:41.880 --> 00:17:45.279
brothers. Co padre. Come on, Steve, we take you off the

160
00:17:45.319 --> 00:17:48.640
air. That's the end of the
bit till it. Come on, Steve,

161
00:17:48.880 --> 00:17:52.680
take a joke. O. Shoot, I don't think you could take

162
00:17:52.720 --> 00:17:56.119
a joke, STEVEE hung up to
Well. Look, no one has ever

163
00:17:56.240 --> 00:18:00.319
hung up on you and me on
the Red Hot nobody, No, not

164
00:18:00.400 --> 00:18:06.000
even Elvis. Only John Lennon did
when you threatened him with Yoko Ono sitting

165
00:18:06.000 --> 00:18:07.920
in the studio with this. You
know what, here we go. I'm

166
00:18:07.920 --> 00:18:10.160
gonna I'm gonna call him back.
I don't care. I'll call him back

167
00:18:10.200 --> 00:18:12.640
right now. Call him back.
I'll tell him some music, you know,

168
00:18:12.839 --> 00:18:18.079
Chang. This is exactly the reason
why we are going to talk about

169
00:18:18.119 --> 00:18:21.720
the death of radio because of people
like this. I'm gonna call this guy.

170
00:18:22.920 --> 00:18:29.079
No, we don't need anyone to
tell what it worse. Shut the

171
00:18:29.160 --> 00:18:33.440
mic off, cut the mic off, or you're gone. Nope, the

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00:18:33.599 --> 00:18:36.880
mic has to stay on. We're
all about free form radio, Steve.

173
00:18:36.920 --> 00:18:40.400
I mean, come on, your
dick wad for the lover. But the

174
00:18:40.559 --> 00:18:44.400
mic off, No, no,
why don't you come in here and cut

175
00:18:44.440 --> 00:18:48.960
the mic off? Your jackass Jesus
just going on. The mic stays on.

176
00:18:48.279 --> 00:18:51.839
All right, the mike stays on. You back off, cut the

177
00:18:51.920 --> 00:18:56.880
mic off. Come on, come
on, come on, get off,

178
00:19:00.000 --> 00:19:06.960
get get my don't tell me there
I'll killing shadow. Oh God, sat

179
00:19:07.319 --> 00:19:12.680
all right, all last and three
now go Mike off. I'm not cutting

180
00:19:12.759 --> 00:19:19.519
nothing off there. You gonna get
off in Steve, your son of a

181
00:19:19.599 --> 00:19:23.759
month, you know what? You
cut the mic on us and that Reform

182
00:19:23.880 --> 00:20:49.680
Radio right out the door. I
would say, it's I don't wavery it

183
00:20:52.279 --> 00:22:10.400
must say nothing bad, don't why
I was sad. Story on its side,

184
00:22:11.920 --> 00:22:30.680
definitely lost. This can not cast
the spare Everything that sister my dog

185
00:22:30.920 --> 00:25:15.079
is take was made s Welcome back
to back to the eighties Rady with Tuscano

186
00:25:15.160 --> 00:25:22.519
and Chang Man. What a sweat
house and that was fade to black from

187
00:25:22.559 --> 00:25:32.480
Metallica Man, Boys and girls,
What a what a discharge? Me and

188
00:25:32.559 --> 00:25:40.000
my partner just endure Tuscano. Can
you believe the act of Steve Russell,

189
00:25:40.720 --> 00:25:48.200
our former general manager Back to the
eighties radio? And I want to say

190
00:25:48.279 --> 00:25:53.079
former now Tuscano. Please, I
don't want anybody to hate me more than

191
00:25:53.119 --> 00:25:59.759
they do and think that my ego
is everywhere. Why don't you tell them

192
00:26:00.759 --> 00:26:07.880
why Steve is no longer our general
manager and remind the listeners who's in charge

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and who is large, ladies and
gentlemen, jointed lady, that's right,

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00:26:15.119 --> 00:26:18.240
you heard it live, Ladies,
gentlemen. You know, going back to

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the eighties and having a show such
as this one the top rated, most

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00:26:22.519 --> 00:26:27.680
popular eighties radio show in the world, you know, we had hired someone

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00:26:27.759 --> 00:26:30.799
to help us out, somebody who
claimed the knew radio from back then.

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But all of a sudden, you
give somebody a little bit of power and

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they want to just take over.
Well, no, sir, Reeve,

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that's not going to happen here on
our watch, because, after all,

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00:26:42.400 --> 00:26:48.839
you guys are why we do this
show, and this is free form radio.

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This is radio from the eighties by
eighties jocks, and there's no way

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00:26:53.880 --> 00:26:59.880
we're going to have someone who believes
that radio should conform to the way it

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is today. If you don't like
the radio shows of the eighties, you

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00:27:03.720 --> 00:27:07.480
can take a hike. There's plenty
of radio shows that will play a bunch

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00:27:07.519 --> 00:27:12.240
of nonsense for you guys, and
with little you know robots. As a

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00:27:12.240 --> 00:27:17.319
matter of fact, you can probably
go listen to an AI station here back

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00:27:17.359 --> 00:27:22.839
to the eighties radios. Tuscano and
Chang live, Live and live. Okay,

209
00:27:22.319 --> 00:27:26.359
we are the real deal. So
yeah, we told him to take

210
00:27:26.400 --> 00:27:30.559
a hike. We fired him.
He's done. We are giving you radio

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00:27:32.440 --> 00:27:36.480
like it should be. We're all
real. We're giving you what you want,

212
00:27:37.200 --> 00:27:41.279
trying to take you to a place
that takes you away from all the

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00:27:41.359 --> 00:27:45.559
crap that's going on in life politically, socially. Well, if you're like

214
00:27:45.720 --> 00:27:52.319
Tuscano and I your parents, we
have talked about the death of radio on

215
00:27:52.480 --> 00:27:56.559
the lighter side before today. We're
going to be going more in depth,

216
00:27:56.640 --> 00:28:00.359
and we're going to be ranting a
lot more. Why because you are listening

217
00:28:00.440 --> 00:28:07.599
to two guys that have been involved
in radio for a while, who have

218
00:28:07.839 --> 00:28:14.160
loved and been a part of the
radio world since we were teenagers, and

219
00:28:14.359 --> 00:28:19.440
who have loved radio as it once
was. But something happened, something happened

220
00:28:21.200 --> 00:28:26.559
throughout the years that changed everything for
everybody specifically, and I'm going to tell

221
00:28:26.599 --> 00:28:30.279
you this specifically, and if you
just joined us here back to the eighties

222
00:28:30.400 --> 00:28:33.480
radio. I want to thank you
guys for taking your time, but we

223
00:28:33.599 --> 00:28:37.519
are going to be talking about the
death of radio and the death of the

224
00:28:37.680 --> 00:28:42.359
radio personality in particular. There was
something that happened in the nineties, but

225
00:28:42.480 --> 00:28:47.799
as a result of the way things
were being run in the late eighties,

226
00:28:48.359 --> 00:28:52.559
the men in suits, the men
in black behind the radio business. That

227
00:28:52.880 --> 00:29:00.599
led to a killer bill that was
signed in nineteen ninety six called the Telecommunications

228
00:29:00.640 --> 00:29:04.359
Act of nineteen ninety six. But
before we go there, we're going to

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00:29:04.400 --> 00:29:10.200
be talking about how some of the
radio personalities that we had in the past,

230
00:29:10.279 --> 00:29:11.759
how they made us feel. So
why don't we kick it off like

231
00:29:11.880 --> 00:29:15.240
that, Chang, Why don't we
talk about some of the radio personalities that

232
00:29:15.440 --> 00:29:22.319
made us feel just enthused to listen
to radio, some of the personalities that

233
00:29:22.440 --> 00:29:27.480
made us feel like we belonged and
then when you heard them, you just

234
00:29:27.599 --> 00:29:33.359
felt a connection with them for whatever
the reason was. And unfortunately today that

235
00:29:33.559 --> 00:29:40.920
is completely lost. Oh man,
Seeing that I am as old as dirt

236
00:29:41.680 --> 00:29:45.319
in some parts of this country,
I would have to say, for me,

237
00:29:47.079 --> 00:29:52.960
it was the seventies disc jockeys that
put a lump in my stump that

238
00:29:55.480 --> 00:30:00.240
really grabbed my ears and my senses. But in the eighties, the eighties,

239
00:30:00.319 --> 00:30:03.680
I had already evolved from the cat
that I used to be in the

240
00:30:03.759 --> 00:30:11.039
seventies when I was in grammar school
and junior high into high school. Where

241
00:30:11.200 --> 00:30:17.519
high school is really where where one
becomes one with himself. The oddities of

242
00:30:17.680 --> 00:30:21.880
life have kind of rolled off.
You already know who you don't want to

243
00:30:21.960 --> 00:30:26.640
be from your past experience. You're
already understanding that you're an individual. So

244
00:30:26.680 --> 00:30:33.079
you're breaking off from your parents,
You're breaking off from that old personality you

245
00:30:33.200 --> 00:30:37.400
had in grade school, and you're
becoming your own. And what's the first

246
00:30:37.480 --> 00:30:42.920
thing that hits you. Music FM
radio, free form radio, that disc

247
00:30:44.000 --> 00:30:48.680
jockey making you feel like your generation
matters, that they're talking to you,

248
00:30:48.920 --> 00:30:53.000
they understand you, they're giving you
the groove to say, ef it.

249
00:30:53.440 --> 00:30:57.119
Whatever I'm doing, it's the way
I want to go. FM jocks.

250
00:30:57.160 --> 00:31:04.920
They brought out fashion shows, personality, music sets. They were able to

251
00:31:06.200 --> 00:31:11.880
captivate the audience emotion. At that
time, we missed that at a great

252
00:31:11.960 --> 00:31:18.759
deal. Now everything is like packaged, everything is kind of process nowadays.

253
00:31:19.880 --> 00:31:27.160
I gotta go all the way back
to Kmie T kalelews KHJ. You know

254
00:31:27.319 --> 00:31:30.799
when when all these men something,
when you have a guy come on like

255
00:31:33.240 --> 00:31:38.079
Shotgun Kelli. Okay, he's got
some good news. Party holders are the

256
00:31:38.200 --> 00:31:44.960
six ten Tower Record certificates due to
the recent rotten weather. While the Shotgun

257
00:31:45.039 --> 00:31:48.799
does be rotten, the deadline for
redeeming your album coupon has been expended through

258
00:31:48.920 --> 00:31:56.680
bred. You had cats like Rick
D's. This is kiss that van Rick

259
00:31:56.759 --> 00:32:00.400
D's in the morning at seven twenty
seven. You remember the King Lady she

260
00:32:00.559 --> 00:32:04.960
called one week and all of a
sudden she disappeared. I hear she's back

261
00:32:05.039 --> 00:32:13.079
in town and has our new private
number, the Kinky Lady seven seven.

262
00:32:14.000 --> 00:32:19.319
She's coming up. Here's Dan Fogelberg. You know my favorite, Jim Ladd.

263
00:32:19.400 --> 00:32:24.000
Anybody from kamy T, the Moody
Blues and Gypsy Red Riders can't turn

264
00:32:24.119 --> 00:32:28.720
back and you two with rejoice.
This is headsets on kamy T. My

265
00:32:28.839 --> 00:32:34.599
name is Jim Ladd and we're doing
some songs around the general subject of the

266
00:32:34.720 --> 00:32:39.680
shaman. Every tribe has a shaman
or a number of shaman. Some of

267
00:32:39.799 --> 00:32:47.319
them are men shaman called witch doctors
or medicine men more properly or shaman,

268
00:32:47.839 --> 00:32:53.680
and the female of the tribe is
usually the gypsy woman. There's a lot

269
00:32:53.720 --> 00:32:58.279
of shaman women in the Blues.
The gypsy woman told my mama on the

270
00:32:58.359 --> 00:33:00.160
day I was born, and so
on and so on and so on,

271
00:33:00.880 --> 00:33:07.000
with greg Grey and black cat bone
in her hand. The shaman of the

272
00:33:07.119 --> 00:33:09.759
tribe are the ones who take us
on the journey, and the reason that

273
00:33:09.880 --> 00:33:16.880
they are so interesting to watch is
because they spend so much time on the

274
00:33:17.039 --> 00:33:28.119
journey, thus having common shaman and
the gypsy. Oh, Shadow Stevens from

275
00:33:28.440 --> 00:33:31.400
Hollywood. This is American Top forty. I'm Shadow Stevens. Here for that

276
00:33:31.519 --> 00:33:36.519
weekly trip to the top of pop
Paradise. We'll count down the biggest hits

277
00:33:36.519 --> 00:33:39.359
on the Billboard Charts, the official
weekly survey of radio airplay and record sales

278
00:33:39.400 --> 00:33:45.839
across the USA. Our final destination
the big number one number four debuts in

279
00:33:45.880 --> 00:33:52.119
this week's count Who I Think always
was more than just a radio disc jockey.

280
00:33:53.000 --> 00:33:59.160
They created theater of the mind,
which Jim Ladd rests in peace framed

281
00:33:59.200 --> 00:34:05.319
that frame. Theater of the mind
is when you can actually grab a listener

282
00:34:05.839 --> 00:34:09.440
put them in a mindset where they
visualize exactly what you're saying, taking them

283
00:34:09.480 --> 00:34:15.760
away from the ordinary is theater of
the mind. We're very blessed here back

284
00:34:15.840 --> 00:34:21.400
to the eighties radio to have befriended
Gino Mitchellini, a great soul that we

285
00:34:21.639 --> 00:34:24.480
just lost Red Barchianas. There are
a lot of fun about five o'clock on

286
00:34:24.559 --> 00:34:30.559
the four or five freeway, just
sitting there, burning up all that gas,

287
00:34:32.079 --> 00:34:37.599
chewing up those valves. N K
Los How you're doing this is Mitchellini,

288
00:34:37.599 --> 00:34:39.960
It's two for Tuesday. Here's fleewood
Man. Another individual we lost,

289
00:34:40.079 --> 00:34:44.760
Dusty Street. I feel too good. I feel far too good to do

290
00:34:44.880 --> 00:34:47.440
this show. That's it. I'm
going to sleep good night. I just

291
00:34:47.519 --> 00:34:52.360
got the world famous back rub of
life, but I won't tell you by

292
00:34:52.400 --> 00:34:55.480
who. No, it was a
fish rub Ooh that sounds sounds a little

293
00:34:55.599 --> 00:35:01.679
scaly to me. It ISFM Pasadena, Los Angeles Rock the eighties and nineties

294
00:35:01.719 --> 00:35:07.679
alive. Good morning is wonderful.
I hope this is going so many times

295
00:35:07.719 --> 00:35:13.599
again. We have lost these voices, personalities, identities, people that we

296
00:35:13.800 --> 00:35:19.239
called friends from afar, not only
on air, but we've lost them in

297
00:35:20.119 --> 00:35:24.840
daily life breathing. We'll never hear
them again. We won't hear their set

298
00:35:24.920 --> 00:35:30.639
list or what they think, the
substance, the element, the feeling,

299
00:35:30.039 --> 00:35:36.239
and the whole freaking reason why radio
was created. Well we come back,

300
00:35:36.280 --> 00:35:39.400
We're gonna be talking about why radio
in the eighties went down the rabbit hole

301
00:35:39.760 --> 00:35:45.800
and never never came back again.
You were listening to Back to the eighties

302
00:35:45.920 --> 00:35:49.079
Radio with Tusconwan Chang, and we
are going to take you out to another

303
00:35:49.199 --> 00:35:53.000
planet, a planet when radio and
music and DJs mattered. Right here,

304
00:35:53.079 --> 00:35:59.159
put your ears to She came from
Planet Claire. The B fifty two straight

305
00:35:59.199 --> 00:36:02.519
at you between the eyes, tuscone
and Chang. Back to the eighties Radio,

306
00:36:04.199 --> 00:37:55.639
Get your bibe alive. She came
from Lane as fast. When she

307
00:37:55.840 --> 00:38:14.039
came from there, a flaming sad
line, Master bend the line that Claire

308
00:38:14.159 --> 00:38:22.000
past big. All the trees are
red, no one ever dies them,

309
00:38:22.440 --> 00:39:01.519
no one has some stations remarks or
one of the seven stars, Shoddy thirty

310
00:39:01.880 --> 00:39:19.840
and annas m. She came from
slanted flat. She came from silence flat.

311
00:39:27.559 --> 00:39:57.519
She came from Planet le when the
economy was good and the metal was

312
00:39:57.639 --> 00:41:07.000
having bad. Back to the eight
I want to be home, still want

313
00:41:07.079 --> 00:41:15.320
you be doing day? For an
a minute, I have a up.

314
00:41:17.039 --> 00:41:30.320
I need a minute and a boy
day day alway know, say somebod heel

315
00:41:30.599 --> 00:41:38.800
a time, I tell it down, get the im flean it hill time

316
00:41:40.400 --> 00:41:50.119
the rayo. I need a music, give me some mo time out the

317
00:41:50.400 --> 00:42:01.480
raio be healing. Got to give
me some now, I want to say.

318
00:42:02.159 --> 00:42:09.840
I there to found it on one
of the three. I feel the

319
00:42:10.039 --> 00:42:21.920
people I'm in the no gotta putay
me day time, night time, anytime,

320
00:42:22.280 --> 00:42:32.119
say so fat and I'm the only
whining for house. Why can't be

321
00:42:34.000 --> 00:42:44.880
time time the rain? I need
the music. Give me some money to

322
00:42:45.719 --> 00:42:52.559
the radio. I don't want to
be in to give me some money to

323
00:42:54.440 --> 00:44:20.280
the radio. Be here to me
right an even music's a welcome back.

324
00:44:20.360 --> 00:44:23.599
I hope you turned up the radio
with Autograph and Tuscana and chang right here

325
00:44:23.880 --> 00:44:30.440
back to the eighties radio. Tonight
we are discussing the death the absence of

326
00:44:30.599 --> 00:44:35.320
not only free form rock and roll
radio and radio of its kind, but

327
00:44:35.880 --> 00:44:42.199
the friend on the speaker box,
the DJ, the personality, the cat,

328
00:44:42.360 --> 00:44:46.920
the kiddie, the guy, the
girl that set your world right or

329
00:44:46.960 --> 00:44:52.559
whenever you needed it. Tuskana,
what did you think of that set of

330
00:44:52.840 --> 00:44:58.719
songs that I chantastically put together for
the boys and girls. You know,

331
00:44:58.760 --> 00:45:00.360
I got to give it up to
you. I got to give you a

332
00:45:00.480 --> 00:45:08.199
round of applause. Definitely. Why
because because you're absolutely right, there were

333
00:45:08.280 --> 00:45:14.079
great songs and songs that were you
know, whether you like them or not,

334
00:45:14.199 --> 00:45:17.800
back in the eighties. These are
songs that ring true today because they

335
00:45:17.880 --> 00:45:22.400
talk about the memories and the emotions
that we associated with the time. We

336
00:45:22.400 --> 00:45:27.840
were talking about the radio personalities from
the eighties. You know, one of

337
00:45:27.880 --> 00:45:32.480
the big things changed back then as
opposed to today or compared to today's radio

338
00:45:32.559 --> 00:45:37.280
personality. First of all, they
had more control over their own shows.

339
00:45:37.519 --> 00:45:43.880
They had more control over their music
choices, over the topics, and that

340
00:45:44.280 --> 00:45:49.599
led to a more dynamic and engaging
show, and it was tailored to the

341
00:45:49.719 --> 00:45:55.199
local audience. They weren't trying to
capture the world's attention, you know,

342
00:45:55.400 --> 00:46:00.599
like today, they want to make
everybody feel good. And the same time,

343
00:46:00.039 --> 00:46:07.000
they don't care of losing an entire
generation of listeners. So there was

344
00:46:07.079 --> 00:46:12.719
a diversity. There was a creative
freedom that radio personalities. And I'm gonna

345
00:46:12.800 --> 00:46:19.039
name some that we just got on
on X on the old Twitter here from

346
00:46:19.159 --> 00:46:24.480
our page, and they mentioned Scott
Shannon from the Zoo at Z one hundred

347
00:46:24.519 --> 00:46:29.960
and New York and thirty six in
the morning the Tuesday Morning Zoo Spanky on

348
00:46:30.039 --> 00:46:32.079
Superstick of Patrol and good morning to
you from the Zoo. Who's this,

349
00:46:32.760 --> 00:46:36.840
No, no, never mind,
I know who this is. Good morning,

350
00:46:36.920 --> 00:46:39.119
mister Leonard. Well, good morning, Scott. Use it's me,

351
00:46:39.360 --> 00:46:45.639
mister Leonard. That's just been public
service director and research. You know,

352
00:46:45.840 --> 00:46:51.800
obviously you conveniently forgot the telephone conversation
we had yesterday just around twelve noon.

353
00:46:52.119 --> 00:46:57.159
Yeah, that one? Which one
was that? The conversation I had Dean

354
00:46:57.280 --> 00:47:00.639
Zachram office when you said you would
you would definitely make it into the radio

355
00:47:00.760 --> 00:47:05.119
station today in order to do this. He was one of the most influential

356
00:47:05.159 --> 00:47:08.239
poping rock DJs of the eighties.
We got Carol Miller, also from New

357
00:47:08.320 --> 00:47:14.000
York's w p LJ. You can
see the film that starts Friday at theaters

358
00:47:14.079 --> 00:47:17.960
and drivings near you. This is
Carol Miller and w p LJ Rock and

359
00:47:19.039 --> 00:47:22.760
Roll from somebody mentioned Tom Bernard and
Steve Dahl. And then we also have

360
00:47:23.000 --> 00:47:29.239
somebody that mentioned d Snyder. That's
right from Twisted's sister who also had a

361
00:47:29.480 --> 00:47:35.440
very small presence in the eighties on
rock radio from k r OQ in Los

362
00:47:35.519 --> 00:47:40.039
Angeles, Richard Blade, Ziggy Molly, along with the Medley Makers and when

363
00:47:40.079 --> 00:47:44.480
the lights go out you still got
k rock. Kind of romantic right.

364
00:47:44.679 --> 00:47:45.760
Also the span of the rings.
They might be giants, Jesus in the

365
00:47:45.800 --> 00:47:49.320
Marie Chain, the Church, the
alarm, a ratio mantin Whiffle Boy from

366
00:47:49.320 --> 00:47:52.360
the Morning show. In the studio
at the moment he's wearing how to bring

367
00:47:52.480 --> 00:47:54.840
that up? He's wearing his flippers. Why are you wearing swim fins in

368
00:47:54.880 --> 00:47:58.320
the studio? Ready to dive on
Wednesday? Can't you find it hard to

369
00:47:58.320 --> 00:48:00.159
walk around with those things on your
face? Used to it? As days

370
00:48:00.280 --> 00:48:02.440
go on? Did the diving you
start to tell? You? Now?

371
00:48:02.519 --> 00:48:08.280
You and me chang? We remember
duos, especially duos like Mark and Brian.

372
00:48:09.679 --> 00:48:14.000
Well, you certainly are up early. Yeah, I wanted to get

373
00:48:14.039 --> 00:48:17.320
a good head start on the day. Hey, what are you eating nutting

374
00:48:17.400 --> 00:48:22.039
cock? What did you say nutting
cock? No? I heard you the

375
00:48:22.079 --> 00:48:24.559
first time, but all I wanted
to know was what the name of the

376
00:48:24.639 --> 00:48:29.719
cereal is that you're eating nutting cock? Why won't you tell me what you're

377
00:48:29.760 --> 00:48:34.519
eating I did you said nutting cock? Exactly? Are you in a bad

378
00:48:34.639 --> 00:48:37.639
mood? Now I'm in a great
mood because I'm eating such a great cereal.

379
00:48:38.079 --> 00:48:42.920
And the name of that cereal would
be nutting cock. Okay, if

380
00:48:42.920 --> 00:48:45.119
you say nutt and cock one more
time, you're gonna be sorry. That's

381
00:48:45.159 --> 00:48:50.480
the real name of the cereal nutting
cock. You see. Nutting cock is

382
00:48:50.519 --> 00:48:54.719
a delicious blend of walnuts and rooster
parts. Oh, I get it.

383
00:48:55.760 --> 00:49:02.679
Nutting cock is a tasty combination of
nuts and cod just exactly. It took

384
00:49:02.800 --> 00:49:07.280
Kellogg's to do it. They finally
made a cereal that combines the saltiness of

385
00:49:07.400 --> 00:49:15.639
nuts with the delicious, farm fresh
flavor of cock. So nutting cock not

386
00:49:15.760 --> 00:49:21.599
only tastes good, but with one
real rooster, it's also good for me.

387
00:49:21.800 --> 00:49:27.280
Now you're getting it, you see. You see, nutting cock is

388
00:49:27.320 --> 00:49:31.679
the only cereal that combines the great
walnut flavor you love with the nutritious taste

389
00:49:31.719 --> 00:49:40.639
of cock that by Body Graves.
That's right, exactly, fortified with fortified

390
00:49:40.679 --> 00:49:45.679
with eleven vitamins and minerals. Nutting
cock is an important part of this nutritious

391
00:49:45.719 --> 00:49:52.320
breakfast. Nutting Cock It's chok full
of nuts and chock full of cock nutting

392
00:49:52.400 --> 00:50:00.360
cock. Pick some up today.
O. Yeah, that's a new breakfast

393
00:50:00.400 --> 00:50:07.400
cereal. And we also know Jay
Thomas. Jay Thomas was probably one of

394
00:50:07.480 --> 00:50:14.320
the pioneers of this whole morning show. You know. Uh, he came

395
00:50:14.360 --> 00:50:17.760
out. He later became an actor, but we're talking he was, he

396
00:50:17.880 --> 00:50:22.960
was an entertainer. It's twenty five
minutes after seven, seven twenty five now

397
00:50:22.000 --> 00:50:24.760
on Paro one oh six. Monica, I can't believe you didn't report this.

398
00:50:25.159 --> 00:50:28.840
This is absolutely true. I've been
reading this in a bunch of newspapers

399
00:50:29.559 --> 00:50:32.920
that a doctor at Harvard Medical School
has been telling women that if they have

400
00:50:34.159 --> 00:50:37.760
infections of any type and they're worried
about it. You mentioned this to me

401
00:50:37.880 --> 00:50:39.320
the other day, Yes, And
I had to look it up finally,

402
00:50:39.360 --> 00:50:42.599
and I did see it the other
day. I think in the Herald that

403
00:50:42.679 --> 00:50:46.519
they're supposed to put their underwear in
the microwave often. Now I'm gonna say

404
00:50:46.559 --> 00:50:50.159
that, dud, I'm gonna say
something. I don't know what I'm talking

405
00:50:50.159 --> 00:50:52.360
about now, But the thing was
called a yeast infection. Is that a

406
00:50:52.400 --> 00:50:54.320
bad thing? Does it hurt?
Does it itch? What does it do?

407
00:50:54.679 --> 00:50:58.480
It's when you have a problem baking
bread. No, no, no,

408
00:50:58.599 --> 00:51:01.239
come on, I mean I'm not
it's a female problem. So if

409
00:51:01.280 --> 00:51:06.119
you have this problem you have you
put your underwear in the microwave of it

410
00:51:06.239 --> 00:51:08.039
and it kills the germs. I
just read that the other day. But

411
00:51:08.159 --> 00:51:13.400
the ust is in gosh, is
gross on your underwear. It's don't don't

412
00:51:13.480 --> 00:51:15.440
mention it. I don't know what
else it does. So, ladies,

413
00:51:15.440 --> 00:51:16.519
if you're having trusble, and the
doctor said, there's gonna be a lot

414
00:51:16.559 --> 00:51:20.440
of jokes made about this. I
heard this guy talking the other day on

415
00:51:20.559 --> 00:51:22.400
one of those consumers on networks and
stuff, so I just wanted to bring

416
00:51:22.480 --> 00:51:25.280
it to you. I mean,
it's just another wonderful use that And of

417
00:51:25.360 --> 00:51:29.679
course, you know putting toy poodles
in there, which was another fun thing

418
00:51:29.760 --> 00:51:32.639
we did for I know you do. It's twenty six minutes after seven o'clock,

419
00:51:32.760 --> 00:51:35.760
so there you go. By the
way, this is trash day,

420
00:51:36.000 --> 00:51:37.440
not just because we're talking it.
We're going oh yeah. He was a

421
00:51:37.599 --> 00:51:44.800
radio host, he was a comedian
and this guy was was a talent and

422
00:51:45.000 --> 00:51:49.320
along with him back in La I
remember Benny Martinez, Bruce Vidal, Mucho

423
00:51:49.440 --> 00:51:54.280
Morales and Broadway, Bill Lee,
Jojo Kincaid, Chuck Geiger and Chuck Boom

424
00:51:54.280 --> 00:51:58.960
Boom Cannon, like we can go
on and on and on. Oh you

425
00:51:59.079 --> 00:52:02.239
can't forget Mark and Kim. I
mean, let's let's let's not step away,

426
00:52:02.360 --> 00:52:07.320
you know, for from you know, easy listening radio, because I

427
00:52:07.480 --> 00:52:14.639
think even easy listening radio station forms
have taken a hit, well, yeah,

428
00:52:15.000 --> 00:52:20.039
to where it isn't really in the
mainstream as it once was, and

429
00:52:20.119 --> 00:52:23.760
you would think it would be heavily
because of the yuppie era. Remember Ted

430
00:52:23.840 --> 00:52:30.599
Ziggenbush from Coast one to three point
five in Los Angeles. I remember,

431
00:52:30.679 --> 00:52:36.639
these these guys were the guys that
started at all. Casey Casem you can't

432
00:52:36.679 --> 00:52:40.000
we can't even discuss this without mentioning
Howard Stern. He made his head way

433
00:52:40.960 --> 00:52:47.320
into the eighties radio pretty much the
icon and the poster child of shock radio,

434
00:52:49.159 --> 00:52:52.159
which I think I have a lot
of mad respect for Howard Stern,

435
00:52:52.960 --> 00:52:59.000
his diversity, his guts, but
I think he pushed it a little bit

436
00:52:59.039 --> 00:53:02.519
too far, and I think he
took the rule of radio and he took

437
00:53:02.519 --> 00:53:07.000
it a little bit extreme. Yeah, do you remember, Yeah, And

438
00:53:07.639 --> 00:53:13.639
there were others you know like that
that followed suit, But there were others.

439
00:53:13.719 --> 00:53:16.800
Do you remember Gary Owens. He
was recognizable for his smooth voice he

440
00:53:16.840 --> 00:53:21.920
had. This guy had a long
career and he did countdown shows and things

441
00:53:21.960 --> 00:53:24.960
like that. Now I'm gonna mention
one. How about Doctor Demento Barrett Hanson

442
00:53:25.840 --> 00:53:30.880
known for his comedy. Oh,
I remember. Both of those guys were

443
00:53:31.039 --> 00:53:36.840
very similar in I believe in the
type of radio show that they did,

444
00:53:37.800 --> 00:53:42.760
and it was enlightening. It was
different, it was funny. It was

445
00:53:43.719 --> 00:53:47.159
when you needed to get your laugh
out. We don't have that now.

446
00:53:47.239 --> 00:53:52.679
And talking about that, like I
mentioned the late great Gino Mitchellini who did

447
00:53:52.719 --> 00:53:59.239
the five o'clock Funnies at cal Os
Radio during the eighties, we don't see

448
00:53:59.519 --> 00:54:02.960
into the jewels like that at all. Radio doesn't bring out too much humor

449
00:54:04.000 --> 00:54:09.280
at all anymore. It's almost like
a trip out on this. I witnessed

450
00:54:09.360 --> 00:54:15.280
this personally my wife when she would
take the kids to school, she would

451
00:54:15.320 --> 00:54:20.920
put the radio on to what my
children wanted to hear. She became liking

452
00:54:21.039 --> 00:54:23.960
that same music. I saw that
with my sister and her kids. I

453
00:54:24.119 --> 00:54:30.760
saw that with some of my friends
and their kids. When I coached baseball.

454
00:54:30.840 --> 00:54:36.159
I saw that a lot with a
lot of parents who switched the radio

455
00:54:36.400 --> 00:54:42.199
over but kind of lost their individualism
into what their kids were listening to.

456
00:54:43.039 --> 00:54:47.559
And I think that had a little
bit too contribute to the death of having

457
00:54:47.639 --> 00:54:52.840
your own identity on terrestrial radio,
wouldn't you say? So? I have

458
00:54:52.960 --> 00:54:55.880
to agree with you. I want
to give everybody a little example of what

459
00:54:57.159 --> 00:55:01.159
radio was like with a popular duo
from back in the day. This was

460
00:55:01.400 --> 00:55:07.960
nineteen eighty nine and this was one
of the great duos from back then,

461
00:55:08.159 --> 00:55:13.239
Laurena Wally with a little skit they
had back then, and I can tell

462
00:55:13.280 --> 00:55:15.360
you they just don't make them like
they used to. Well, he sept

463
00:55:15.400 --> 00:55:19.400
forty six now from Boston five.
Is he in the hall wallee? Yes,

464
00:55:19.440 --> 00:55:21.559
he is in the hall line.
But we should go ahead and make

465
00:55:21.559 --> 00:55:23.400
the big announcement here, I suppose
Wald, don't you think I should?

466
00:55:24.199 --> 00:55:29.199
New England Patriots have hired a new
offensive coordinator for the team, and they've

467
00:55:29.239 --> 00:55:31.400
gone all the way to Yeah,
that's him. Now. I'm sure they've

468
00:55:31.440 --> 00:55:35.159
gone all the way to China to
hire this guy. So let's get him

469
00:55:35.159 --> 00:55:37.400
out in here and be the first
ones to interview and introduce this we come

470
00:55:37.440 --> 00:55:42.519
on a blaze. Yes, good
morning, it is me extremely offensive coordinator

471
00:55:42.599 --> 00:55:45.800
for the New England Patriots. Well, good morning, sir, and what

472
00:55:45.960 --> 00:55:49.400
is your name? By the way, win one soon wine soon, So

473
00:55:50.360 --> 00:55:52.760
tell us about well they'll be making
any changes with the Patriots now that you're

474
00:55:52.760 --> 00:55:55.920
going to be the new offensive coordinator. I'll tell you if having flyer doesn't

475
00:55:55.960 --> 00:56:00.159
straighten up. Yeah, he's going
to be irving star fryer d I see

476
00:56:00.920 --> 00:56:05.239
really get my fort I'm cookie that
guy. Okay, listen, I'm beginning

477
00:56:05.280 --> 00:56:08.000
to see a direction in which this
is going go ahead. It's not a

478
00:56:08.039 --> 00:56:15.079
good direction. Getting ugly, well, Lauren wrote it. Yeah, we

479
00:56:15.239 --> 00:56:17.760
have no dog. We have mascot
for New England Patriots, a mask of

480
00:56:17.800 --> 00:56:21.960
witness. Anyway, it's a it's
a it's a dog. It's very well

481
00:56:22.039 --> 00:56:29.719
trained dog. Really is it good? Delicious? Delicious? Yes, you

482
00:56:29.800 --> 00:56:34.960
know it seems I've been coordinating offense. We made some changes. We don't

483
00:56:34.960 --> 00:56:37.920
have the shotgun formation. You don't
have the shotgun for me. We have

484
00:56:37.000 --> 00:56:44.960
the showgun formation. Would you please
leave the studio? Okay, thank you,

485
00:56:45.519 --> 00:56:49.159
well, waldough bye. There was
still a lot of material left on

486
00:56:51.000 --> 00:56:52.840
that ladies and gentlemen. It's just
a little snip of w v b F

487
00:56:52.920 --> 00:56:59.880
Boston with Lauren and Wally back in
the day when radio and radio personalities rule

488
00:57:00.280 --> 00:57:04.760
the airwaves. Like I said,
changing, there's so many different reasons why

489
00:57:05.920 --> 00:57:08.960
they don't allow this type of radio
going on anymore. But if they really

490
00:57:09.079 --> 00:57:13.920
knew, really knew how much and
how important. First of all, how

491
00:57:13.960 --> 00:57:19.119
important this is for our brain,
for our mind to let loose, to

492
00:57:19.280 --> 00:57:22.360
let go, to forget about your
daily problems, and how important these radio

493
00:57:22.400 --> 00:57:29.000
personalities were to us. You know, do you remember going either going to

494
00:57:29.159 --> 00:57:32.440
school or going to work or coming
back from work, and you had a

495
00:57:32.559 --> 00:57:37.760
horrible day. Turning on the radio, what would happen? You would forget

496
00:57:37.280 --> 00:57:43.679
during that rush hour, you would
forget about your problems. Briefly, it's

497
00:57:43.760 --> 00:57:49.679
funny that you mentioned, you know, those two cats. Now, the

498
00:57:50.000 --> 00:57:55.480
quirky thing about those two cats and
the style of comedy that they were portraying

499
00:57:57.320 --> 00:58:02.039
nowadays would be highly offensive. Here's
the case. You would think, okay,

500
00:58:02.840 --> 00:58:10.159
that the actual race is going to
cause a stir in it, but

501
00:58:10.320 --> 00:58:21.639
what it actually is, it's the
syndications that are bringing about banning such type

502
00:58:22.320 --> 00:58:27.880
clean humoristic, stupidity, fun you
know. Yeah, sometimes it's not even

503
00:58:27.880 --> 00:58:31.039
the people from that race in particular, you know, it's just, you

504
00:58:31.119 --> 00:58:36.840
know, the way society has is
going exactly, so a lot of stuff

505
00:58:36.960 --> 00:58:39.440
like that you can't do anymore,
let alone on the air. You can't

506
00:58:39.480 --> 00:58:42.679
do it in comedy. And you
know, when I used to do stand

507
00:58:42.800 --> 00:58:46.599
up comedy, a lot of my
dialogue, a lot of my skits,

508
00:58:47.239 --> 00:58:51.840
my wife told me would be very
offensive. Now you know what I'm saying.

509
00:58:51.920 --> 00:58:55.159
So I tell her, well,
you're right, but maybe we have

510
00:58:55.280 --> 00:59:01.360
to stop being woosies. Tipper Gore
al Gore's wife. Remember in the eighties

511
00:59:01.400 --> 00:59:09.400
when she wanted to start putting a
rating on albums sad censorship. D Snyder

512
00:59:09.480 --> 00:59:14.559
had to step up, show that
his hair wasn't the only thing growing out

513
00:59:14.599 --> 00:59:19.880
of his head and speak up for
that. And it's odd the Act that

514
00:59:20.039 --> 00:59:25.400
Clinton signed in ninety six. We
have two individuals, a strong individual man

515
00:59:25.920 --> 00:59:30.159
that I think weren't too bad as
leaders. If we would have listened to

516
00:59:30.239 --> 00:59:36.039
them, maybe things would be a
bit different. But yet Clinton, come

517
00:59:36.119 --> 00:59:38.280
on, you lie about something like
that, what else do you lie about?

518
00:59:38.760 --> 00:59:45.039
Away from that? Either way,
But it's funny how censorship on albums,

519
00:59:45.800 --> 00:59:51.960
cassettes or whatever form of music added
to the censorship of free form radio.

520
00:59:52.559 --> 00:59:54.760
We were now being told what we
could listen to, when we could

521
00:59:54.840 --> 00:59:59.519
listen to it, what you can
say, what you can say, and

522
00:59:59.639 --> 01:00:05.679
if you say it, the FCC
is going to come and cave f your

523
01:00:05.880 --> 01:00:13.559
whole show. So it's it's one
of the things that the Telecommunications Act of

524
01:00:13.679 --> 01:00:15.239
nineteen ninety six. See a lot
of people think, oh, this was

525
01:00:15.320 --> 01:00:22.320
in the nineties. You got to
remember, conversations and discussions about the telecommunications

526
01:00:22.440 --> 01:00:30.320
laws began in the late eighties,
then progressed in the nineties. Okay,

527
01:00:30.800 --> 01:00:35.440
now, this act, okay,
the Telecommunications Act of ninety six, they

528
01:00:35.480 --> 01:00:40.239
tried to create They talked about creating
more competitive markets, and it was innovation

529
01:00:40.599 --> 01:00:44.400
and it was going to be an
impact on the radio and industry. It

530
01:00:44.679 --> 01:00:52.800
undermined the vibrantcy, the localized radio
culture that had previously existed. It destroyed

531
01:00:52.840 --> 01:00:59.199
it, and it destroyed it to
a degree that it affected everyone. Let

532
01:00:59.239 --> 01:01:05.079
me put it to this, the
death of radio didn't just affect radio personalities.

533
01:01:05.400 --> 01:01:08.360
It didn't affect the music that was
played on the on the air,

534
01:01:08.800 --> 01:01:16.239
but it affected the actual performer,
the musician, the person making the albums,

535
01:01:16.320 --> 01:01:22.440
the person make the person or persons
that had anything to do with specific

536
01:01:22.559 --> 01:01:27.960
albums. Because thanks to all of
that, and thanks to the rise of

537
01:01:28.320 --> 01:01:34.719
the Internet, now we have instead
of radio, who's the dominant creature.

538
01:01:35.039 --> 01:01:39.679
It is Spotify, iTunes and Pandora
and things like that that we're grateful for

539
01:01:39.800 --> 01:01:45.000
because we can be on those platforms. But as far as music playing is

540
01:01:45.079 --> 01:01:51.920
concerned, these these companies are first
of all, don't be fooled, they're

541
01:01:51.960 --> 01:01:59.039
not streaming services. Okay, they
are subscription services. First and foremost.

542
01:01:59.559 --> 01:02:04.320
They want your money. They couldn't
care less who is on the top of

543
01:02:04.440 --> 01:02:07.719
the list, who's the best.
They don't care. All they care are

544
01:02:08.239 --> 01:02:14.960
for you to give them some money
as a subscriber, pay us so you

545
01:02:15.079 --> 01:02:22.800
can hear what you used to get
for free. The term monopolizing is I

546
01:02:22.920 --> 01:02:28.760
think in fit of what we're discussing, because when you're allowed the monopolization of

547
01:02:29.039 --> 01:02:35.119
entities purchasing radio stations, taking away
that choice, taking away that freedom,

548
01:02:35.880 --> 01:02:43.440
taking away that diversity, or the
differences the flavors of what you can in

549
01:02:43.599 --> 01:02:46.639
take in your ears as a listener. The whole thing was a crapshoot,

550
01:02:46.679 --> 01:02:51.000
a shit show. And it's sad
that I have to say that, and

551
01:02:51.119 --> 01:02:57.480
we have to say that because we
are very fortunate to put our program on

552
01:02:57.920 --> 01:03:01.199
with their plateaus that they carry.
But the thing is, it's we have

553
01:03:01.320 --> 01:03:06.159
a little bit more freedom of what
we say, but we can't play what

554
01:03:06.320 --> 01:03:10.840
we feel. And I think it's
either one or the other. You get

555
01:03:10.960 --> 01:03:16.760
a scrambled egg or a hard boiled
egg in radio to where it used to

556
01:03:16.800 --> 01:03:20.719
be, you can get both.
When we come back, we're going to

557
01:03:20.760 --> 01:03:23.679
be talking more about the death of
radio back in the nineteen eighties and as

558
01:03:23.719 --> 01:03:30.840
we can continue this radical wave that
took us to the end of radio as

559
01:03:30.960 --> 01:03:35.440
we once knew it. On that
note, here's a double shot from Billy

560
01:03:35.559 --> 01:03:57.559
Joel here back to the eighties Radio
Don't Go Away, Harry Truman, doarsde

561
01:03:57.840 --> 01:04:02.559
Red China, Johnny Ray, The
Goal to which Joda Maggio, John McCarty,

562
01:04:02.719 --> 01:04:08.360
Richard Mister Student, Baker, Television, nor Karia, Southaria, Maryland

563
01:04:08.480 --> 01:04:19.559
Borough, Rosenberg six, Barn Suparay, Paul John Randall, The King and

564
01:04:19.679 --> 01:04:25.360
Nigh and the Catcher in the Right, Eisenhower Vaccine. England's got a new

565
01:04:25.559 --> 01:04:33.079
Queen Boleti satire good bye to start
the fire. It was alway this is

566
01:04:33.159 --> 01:04:42.920
the last time we start the p
the we did by the Chiga by Joseph

567
01:04:43.000 --> 01:04:48.519
Stalin Alancar. That's the Rember copy
of Rocabella Cappanella, Communist Rock, Roy

568
01:04:48.679 --> 01:04:57.039
con Wopon Tuscaninid Cronk and Ben Foo
Balls rock around the Clark Einstein, James

569
01:04:57.159 --> 01:05:00.719
Den Booker's got away the Team,
Davy Crockett a band, Elvis beding this

570
01:05:00.880 --> 01:05:08.119
they left Bardo the best Alabama bruise
chap which is badrinking my supper in the

571
01:05:08.280 --> 01:05:15.039
show. Didn't start the part that's
always man, this is the worst turn

572
01:05:15.760 --> 01:05:20.719
to start the bid. We didn't
find it and to try to find it.

573
01:05:21.360 --> 01:05:26.840
A rock past the Night, Mickey
Mantle, Carol and spuntling and showing

574
01:05:27.360 --> 01:05:32.840
brand on the river an shot the
gold California Baseball start, but the homicide

575
01:05:32.960 --> 01:05:42.679
children not a little mind the world
of Bunny Hollingdens face booking, Mui Bulow

576
01:05:42.960 --> 01:05:48.159
the Castro. It's a little nook
a sip and wake trail and Kennedy took

577
01:05:48.199 --> 01:05:56.480
me chack a side do the condo. Didn't start the din that's always gone.

578
01:05:56.679 --> 01:06:02.800
This is the worst time. We
didn't start the rigs night and were

579
01:06:02.880 --> 01:06:10.760
trying to fight and Hemingway ammonstrator in
the Strange Land Building, Berlin be A

580
01:06:10.840 --> 01:06:15.559
bigs Engage and Florence on the Rabia, British beetle many of old Miss John

581
01:06:15.679 --> 01:06:23.880
Glynniston Beach's palliser, Paul Knlcolm next
British politician sex jfk blown away. Let

582
01:06:24.039 --> 01:06:30.079
us do I have to say to
start the fis always bother. This is

583
01:06:30.199 --> 01:06:36.800
all the time we didn't start the
bud light and but we're trying to fight

584
01:06:38.599 --> 01:06:44.639
but control gi men Ji Nixon back
and getting moon shot with stock Watergate from

585
01:06:44.719 --> 01:06:48.400
the rock. Bacon Regan Palestine terror
on the airline. I had told us

586
01:06:48.480 --> 01:06:55.039
in the rand Russians in Afghanistan we're
the fucking Sally ride heavy that a suicdime

587
01:06:55.239 --> 01:07:00.639
foreign DEAs homus bench he ats cracking
Bernie and hypodermics on the show China do

588
01:07:00.840 --> 01:07:09.400
the marshal the roller color wars along
to stop the file has all the gon

589
01:07:09.559 --> 01:07:18.360
its is a long time to stop
the vile dot me gone to stop long

590
01:07:18.880 --> 01:07:39.440
long we didn't start the fibu all
the wet stop the file we didn't start

591
01:07:39.599 --> 01:07:50.639
the file the black. We didn't
stop the fire. Don't we do we

592
01:07:51.320 --> 01:08:03.639
stop like and gentlemen, I'm Shadow
Stevens and you must listen to back to

593
01:08:03.719 --> 01:08:19.279
the eighties radio. It's the law. Friday night, I crashed yall party

594
01:08:19.920 --> 01:08:27.479
Saturday, I said, I'm sorry. Sunday came and trash me out again.

595
01:08:30.079 --> 01:08:36.239
I was only having phone. Wasn't
heard again anyone, and we all

596
01:08:36.840 --> 01:08:46.640
joined the weekend before the chan saady
the combat zone. I want to bend

597
01:08:46.800 --> 01:08:55.840
the style alone, even Rod,
my phone cycle and the rag. And

598
01:08:56.000 --> 01:09:01.239
you told me not to drive,
but I mean it all alive. So

599
01:09:01.439 --> 01:09:08.920
you said that all. It proves
that I haven't said. You made the

600
01:09:09.159 --> 01:09:17.119
rise. I made me crazy,
but it just made me alone to take

601
01:09:17.359 --> 01:09:25.479
your looking all. So now hold
the lights, don't try to save it.

602
01:09:27.239 --> 01:09:30.840
You made it wrong. Oh my
lord, you made it rise.

603
01:09:36.680 --> 01:09:44.840
Remember how I found you there alone
in your electric chair. I told you

604
01:09:45.079 --> 01:09:54.199
dirty jokes until you smile. You
alone and all of fan said take me

605
01:09:54.680 --> 01:10:02.520
as I am your mind and enjoyed
some madness fall. Wow. I think

606
01:10:02.880 --> 01:10:10.439
the ball of you try to find
someone to satisfy you. I might be

607
01:10:10.840 --> 01:10:18.439
as crazy as you say it was
crazy. Then it's true that it's all

608
01:10:18.720 --> 01:10:28.479
because you, and you wouldn't want
me any other way. You made the

609
01:10:28.680 --> 01:10:35.760
rise, I made it crazy,
wow, but it's just made me lou

610
01:10:36.159 --> 01:10:43.600
to take y'all look at the phone. It's slay to face. It's too

611
01:10:43.720 --> 01:10:50.199
late. It's a change. You
made it. But you made a rise.

612
01:11:17.479 --> 01:11:25.960
You made the rise, I made
the crazy lay. But it just

613
01:11:26.319 --> 01:11:33.920
made me the thing you're looking for. So now the legs, don't try

614
01:11:34.039 --> 01:11:45.520
to say you made the wrong.
No, you made a vice, you

615
01:11:45.680 --> 01:11:48.880
made the wrong that, you made
advice and made the wrong that. You

616
01:11:49.079 --> 01:11:58.560
made a bas made the round the
change and made a round the Chinese made

617
01:11:58.600 --> 01:12:05.479
the wrong change. Back to the
eighties radio, we didn't start the fire,

618
01:12:06.079 --> 01:12:11.520
Billy Joel, and as a special
too for our offer, you may

619
01:12:11.560 --> 01:12:15.039
be Right, a song that included
a mention of radio and its own lyrics

620
01:12:15.920 --> 01:12:23.159
chang These songs capture the sense of
a reckless freedom, rock and roll spirit

621
01:12:23.319 --> 01:12:27.000
that was associated with that era,
and you got to give it to Billy

622
01:12:27.079 --> 01:12:30.760
Joel. He knew how to put
it together. And it's unfortunate that we've

623
01:12:30.760 --> 01:12:32.119
gotten to where we've gotten, but
you know what, thank you guys for

624
01:12:32.199 --> 01:12:34.279
joining us. Here and back to
the eighties radio. If it's your first

625
01:12:34.319 --> 01:12:39.119
time listening to us, we want
to we appreciate you. And you know,

626
01:12:39.239 --> 01:12:43.560
we are talking today about the death
of radio and how it killed not

627
01:12:43.720 --> 01:12:49.880
only radio itself, but also destroyed
the liberty and freedom of the on air

628
01:12:50.279 --> 01:12:56.119
personality. And at the end of
the day, the one who suffered was

629
01:12:56.279 --> 01:13:00.439
the listener, because it also killed
in a big way, the musician,

630
01:13:00.880 --> 01:13:09.479
the performer, the artist. Industrialized
radio has become industrialized. And here let

631
01:13:09.520 --> 01:13:14.880
me add this to you. It's
sad, you know that an entity that

632
01:13:15.800 --> 01:13:23.199
like serious radio XFM to where they
understand the need of what radio was,

633
01:13:23.760 --> 01:13:27.760
which is great, it's awesome.
They get it and they have hired in

634
01:13:27.840 --> 01:13:33.439
the past many jocks and radio shows
liking to our generation before us and maybe

635
01:13:33.479 --> 01:13:42.000
a little after us, and they've
catered to that and they've managed to get

636
01:13:42.079 --> 01:13:49.039
great fortune and get great subscriptions to
give such programming. And it's good for

637
01:13:49.159 --> 01:13:54.159
us to be able to obtain that
once again. But here's where it gets

638
01:13:54.399 --> 01:13:57.920
weird for me. And I don't
want to step on anybody's toes, but

639
01:13:58.039 --> 01:14:01.159
I know, me being me,
I probably am. And you have to

640
01:14:01.239 --> 01:14:04.720
go off the cuff every now and
then, but yet you have to pay

641
01:14:05.279 --> 01:14:11.159
to get what we used to get
for free. And you know, our

642
01:14:11.319 --> 01:14:15.960
radio show, we are doing everything
we can to cater to the listener,

643
01:14:16.640 --> 01:14:19.960
to cater to the people that are
willing to give us their ears, their

644
01:14:20.039 --> 01:14:26.039
time. Understand where we're coming from, identify, but they too are looking

645
01:14:26.159 --> 01:14:30.199
for radio just like us, what
we're looking for, so we try to

646
01:14:30.239 --> 01:14:35.000
give it to them. The final
version of the Telecommunications Act of ninety six

647
01:14:35.760 --> 01:14:42.479
was finally passed by Congress in February
of ninety six, signed by of course,

648
01:14:42.600 --> 01:14:45.600
President Bill Clinton on the eighth of
February, and it was influenced,

649
01:14:46.239 --> 01:14:51.079
of course, by technological advancements.
It was influenced by market dynamics, the

650
01:14:51.199 --> 01:14:57.720
desire to be or for a more
competitive landscape. But what it ended up

651
01:14:57.760 --> 01:15:01.600
doing is leading to a major shift
in the indu street ownership rules were relaxed,

652
01:15:01.680 --> 01:15:08.039
new opportunities for consolidated emerged. Consolidation
emerged. But here's the bottom line.

653
01:15:08.760 --> 01:15:12.199
What did that lead to at the
end of the day. And because

654
01:15:12.279 --> 01:15:16.800
the radio industry evolved in this way, it led to things like internet radio.

655
01:15:17.399 --> 01:15:20.520
And part of that is good because
we get to listen to radio stations

656
01:15:20.560 --> 01:15:25.880
from all over the place, all
over the world. The changes recent especially

657
01:15:26.199 --> 01:15:30.159
have reduced the opportunities for on air
personalities to stand out and build their own

658
01:15:30.199 --> 01:15:33.239
brands. I mean this is all
because what do they want to do.

659
01:15:33.680 --> 01:15:39.079
They want to just attract more money, and they want to save okay,

660
01:15:39.720 --> 01:15:43.680
and they want to have automated playlists, syndicated programming, reducing need for local

661
01:15:43.800 --> 01:15:47.119
DJs. Now everything's going to be
going the way of AI pretty soon all

662
01:15:47.239 --> 01:15:51.600
stations. You know, no offense
to stations like JACKFM, but in a

663
01:15:51.640 --> 01:15:58.159
way, come on JACKFM. You
took out the radio personality and you just

664
01:15:58.279 --> 01:16:49.800
have voice tracking, and that completely
destroyed radio. That's the double and what's

665
01:16:49.920 --> 01:17:00.920
your night, mile Cruisie night and
that everything I had? I love it

666
01:17:01.119 --> 01:17:13.119
on my Rainie. You gain them
those old time stops rules, the words

667
01:17:13.760 --> 01:17:19.159
you lady, babos, you lay
plan, you lay in fright, you

668
01:17:19.399 --> 01:17:32.520
made as me that so down may
come some backgrounds, the backup boat girls

669
01:17:33.000 --> 01:17:42.399
bases dun though. I just don't
care and just out plays when you up,

670
01:17:43.600 --> 01:18:00.760
you time your pad, your mus
your style, all wabarsk bady you'll

671
01:18:00.840 --> 01:18:09.960
go baby, He'll go. God
only hear mister lady, he'll go Blady,

672
01:18:10.079 --> 01:18:36.159
you'll go buy your mom bay.
So lor we watched the sit we

673
01:18:36.399 --> 01:18:47.359
watched the stars, all the audien
four hours and we have Jesus are commies

674
01:18:48.199 --> 01:19:02.159
change stood. Let's tell me at
leave all friends, my brother you say,

675
01:19:03.880 --> 01:19:26.880
must listen, will miss you.
You you way already. Aries Rady,

676
01:19:27.000 --> 01:19:34.439
you got Brady, you'll google Rady, You got already, Aris Brady.

677
01:19:34.600 --> 01:19:42.359
Y got Brady. You'll go gole
Rady, you got go already,

678
01:19:42.520 --> 01:21:21.000
Aris Brady, got Rady, you
go your Mona scar Cott, you were

679
01:21:21.079 --> 01:21:27.079
listening to back to the eighties radio
with the scott Wood Jag. We're just

680
01:21:27.239 --> 01:21:31.640
like totally bashing on FM and terrestrial
radio. But I think we've been soft.

681
01:21:32.279 --> 01:21:38.880
I think we've been wussies, pussies, cowards because the FCC ain't got

682
01:21:38.960 --> 01:21:42.720
nothing on you or me right now. So I think we need to get

683
01:21:42.760 --> 01:21:47.520
a little bit brass knuckled out gangster
ladies and gentlemen. This is No.

684
01:21:47.720 --> 01:21:53.199
PG. Thirteen part of the show. No, your kids should be knocked

685
01:21:53.239 --> 01:21:57.840
out in bed. If not hot
chocolate, give it to your kids,

686
01:21:58.439 --> 01:22:03.199
have a shot of something and go
to bed with nothing but your toilet plungers

687
01:22:03.239 --> 01:22:06.439
in your head. We are gonna
get down and dirty. I'm gonna tell

688
01:22:06.479 --> 01:22:13.760
you right now. One of the
biggest things, the biggest things I despise

689
01:22:14.560 --> 01:22:20.760
about turning on a radio nowadays to
listen to the same garbage five to six

690
01:22:20.880 --> 01:22:28.000
stations deep. My knob can only
turn so far and it doesn't get away

691
01:22:28.039 --> 01:22:32.800
from the shit that I hear.
So enough of my rant. What do

692
01:22:32.840 --> 01:22:35.840
you got? You know, I
couldn't have set it better myself, saying

693
01:22:36.239 --> 01:22:43.159
radio, now listen here, I'm
listening. Radio in the eighties was the

694
01:22:43.279 --> 01:22:47.960
heartbeat of a community, a platform
where DJs were were larger than life,

695
01:22:48.760 --> 01:22:55.039
each with their own unique style connecting
with their audience. It was a time

696
01:22:55.119 --> 01:22:59.680
when we can tune in and hear
a mix of genres, news, interviews,

697
01:23:00.039 --> 01:23:04.880
expected surprises everywhere we turned, and
it was delivered with authenticity, with

698
01:23:05.079 --> 01:23:12.760
professionalism. We were part of a
radio family. In the DJs were those

699
01:23:12.920 --> 01:23:16.880
voices guiding us through our days.
Now fast forward to today, what do

700
01:23:16.960 --> 01:23:21.800
we have? A hollowed out version
of what radio used to be? Corporate

701
01:23:21.960 --> 01:23:29.000
consolidation, turning those voices that we
once knew into clones of one another,

702
01:23:29.159 --> 01:23:33.399
spewing out the same tired playlists across
the country, and don't get me started

703
01:23:33.479 --> 01:23:40.800
a local content because it's practically nonexistent, and instead of connecting with your neighbors

704
01:23:40.840 --> 01:23:46.359
with the community, stations are only
interested in pumping out syndicated shows automated playlists

705
01:23:46.399 --> 01:23:53.119
to save a dime. Today's radio, my friends, lacks the heart and

706
01:23:53.359 --> 01:23:59.399
soul that made the nineteen eighties so
freakin' special. Where's the charismatic hosts that

707
01:23:59.520 --> 01:24:04.159
we knew once that they played what
people wanted to hear, gone replaced by

708
01:24:04.199 --> 01:24:11.520
what generic, uninspired, untalented programming
that sounds like it was put together by

709
01:24:11.560 --> 01:24:15.880
a freaking computer. The result,
the result is a disconnection between the listeners

710
01:24:17.119 --> 01:24:24.760
and the medium that was once their
lifeline to the world. Sure there's exceptions,

711
01:24:25.279 --> 01:24:29.960
of course, there's some still around
today, but the magic of radio

712
01:24:30.000 --> 01:24:33.920
has been lost in the pursuit of
profit, and the vibrant local flavor that

713
01:24:34.119 --> 01:24:40.840
once defined this medium is nowhere to
be found. And it's a shame chang

714
01:24:41.000 --> 01:24:45.239
because really, the nineteen eighties proved
what radio could be, dynamic, engaging

715
01:24:45.399 --> 01:24:49.720
in an essential part of our lives, and now it's just a shadow of

716
01:24:49.800 --> 01:24:55.880
its former self. So let's hope
for a renaissance man a revolution, a

717
01:24:56.039 --> 01:25:01.720
radio revolution where we can once again
find the roots and bring back that eighties

718
01:25:01.840 --> 01:25:06.039
magic. On that note, I
am Toscanner from Discono and Chang and the

719
01:25:06.119 --> 01:25:12.039
one and only freaking Back to the
freaking Eighties Radio, wishing you the very

720
01:25:12.159 --> 01:25:16.159
best of weeks and from everybody here, every single fan of Back to the

721
01:25:16.199 --> 01:25:21.800
Eighties Radio, Bring back Eighties Radio. Yo Ho ho, cats and kiddies.

722
01:25:21.880 --> 01:25:27.840
Before we exit and we lead you
to another chantastic week. And remember

723
01:25:28.439 --> 01:25:33.439
radio is a canvas. It's how
you paint on that canvas through your ears,

724
01:25:33.479 --> 01:25:39.560
and what you hear and what you
feel is the beauty and the artistry

725
01:25:39.960 --> 01:25:44.399
of what radio is. So until
next week, I want you all to

726
01:25:44.520 --> 01:25:47.800
remember one thing. Do not let
them silence you. Oh hell no.

727
01:25:48.720 --> 01:25:53.399
The only way we get to prosperity, baby, is through unity, and

728
01:25:53.600 --> 01:26:00.399
let that radio be that unity.
So you all remember one thing. Keep

729
01:26:00.479 --> 01:26:03.079
it together, keep it real,
keep your voice out there, you keep

730
01:26:03.119 --> 01:26:06.600
it locked and loaded. Right you're
at Tuscanoa Jang back to the eighties radio

731
01:26:06.640 --> 01:26:15.760
audios odiche asta lavisa, sayanata a
whole metal up bitches. Till next week,