Feb. 12, 2026
Why the 1980s Mattered
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This week on Back to the 80s Radio, it’s just Mario — and a deep dive into what made the 80s more than just a decade. It was the experience. Walking into Blockbuster.
Spending an hour in the mall. Getting lost with a Thomas Guide on your lap.
Choosing a VHS tape and committing to the night. In a world built on convenience, we revisit a time built on participation. If you’ve ever missed the ritual, the anticipation, or the feeling of being fully present — this one’s for you.
Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.
WEBVTT
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I'm so scared.
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I wish I had a ham sandwich to call my nerves.
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We got to find a place to hide.
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Where are you going, fuzzy face.
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That's what I was afraid of. Wait for me.
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Hey, everybody, welcome into the Back to the Eighties radio show.
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I'm Tuscano from Tuscano and Chang, and this is the
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show where we don't just play the music, we remember
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the life around it. By the way, you can always
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right into the show at fm A D's radio at
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gmail dot com. We do read every message. Now, normally
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Chang would be here with me, but apparently I was
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just notifying he's somewhere in the woods hunting sasquatch, dressed
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in an eighties neon leotard and legwarmers with a shirt
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that says, I will always love Robert Smith from The Cure.
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I don't I don't know. I don't ask questions anymore.
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I just let him live his truth anyway. Tonight, it's
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just you and I and I've been thinking about something.
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I mean, why do you love the eighties so much?
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Why do I love the eighties so much? Why do
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the eighties mean so much to us? Not just the songs?
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But the experiences, because that is what made it stick.
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But first, let's go ahead and start here.
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Snatching, snatching, watching me.
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I'm just an average man with an average life from
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nine to five.
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Hey, hell, I pay the price.
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I want us to be left alone in my average
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But why do I always feel like twiming zoning? I
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always be somebody's fun to me and I love no prosy.
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I always been somebody is fine?
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Too many it's interest a treaty.
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Were now Colomas?
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No, I have to do a real time.
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People call me on the stone. I'm trying to avoid
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the people don't previously me. When I'm all, I just tyno.
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When I'm in the shower, I'm afraid to wash my.
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House because I'm over my eyes and find someone standing there.
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We will say I'm crazy, just an I'm judged. But
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this show is in mind me.
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I was psych That's why I always beer. So fight
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is wine.
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And I have no classy.
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Oh I always peer back.
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Some fide is won?
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Who's playing tricks on me?
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Jesus, I don't know anymore.
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I'm a man's watching it? Well is the man man
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watching me?
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Watch?
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And I know middle safe anymore?
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But what a mess I wonder who's watching me now
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the irs. I always spell somebody as fine, and I
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have no privacy. I gotta spell no, somebody's fine.
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Tell me it's it just a tree. I got a spin.
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Somebody as fine, and perhaps.
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I always see it.
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Somebody's fine, who's plan trick something?
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Golways see it somebody as fine? I got said number
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so good as won to me. So I got a
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big sobod as bon to me.
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I got a beer.
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Somebody as fun to me, pantricks so many other thing
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I been some mid as.
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Listening.
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You're number one for classic whendio listening.
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If you're listening to back to the eighties.
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Nice.
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Now you're the street.
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There was violence and then a lot south working done
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no blister Hannah the washing, and then I can't they
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bother on the south?
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Oh No, we don a run down.
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To eli Shake Avenue and then.
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We'll take it higher. Oh we donna run down.
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To elien Scheke Avenue and then.
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We'll take it higher. Working so hard, I can old
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jaf can I put a thing at me deep in
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my heart?
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I a boyor can't get foot with the king? Good God?
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We don a run down to Elien Check Avenue and
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then we'll take it higher. Oh, we done a run
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down to elien Check Avenue and then we'll take it higher.
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Oh no, oh no, oh no, oh no, oh don't.
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We're gonna run down to either Shreck Avenue and then
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we take it higher.
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How we're gonna run down.
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To die Shreck Avenue and then.
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We'll take it higher. Who is to them in one country?
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Never can get to the one.
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Dealing and mandiflication and they still can't beat everyone.
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Oh no, we're gonna run down to elect Shreck Avenue
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and then we take it higher.
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Oh no, we're gonna run down to.
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Elect Shreck Avenue and then we take it higher.
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Home out in the street, out in the street, out
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in a dead time, out in the night.
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Oh, we gonna run down to elect Shreck Avenue and
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then we'll take it higher.
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Ho we're gonna run down to elect.
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Strack Avenue and then we'll take it higher.
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Out in the street, out in the street, out in
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the playground.
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Is that that side of town? Home, We're gonna run down.
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To elect Avenue and then we take it higher.
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Okay, we're gonna run down.
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That venue.
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Back in the eighties, radio with Eddie Granton Electric Avenue.
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Before that, you heard rock Well and a little bit
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of Michael Jackson doing the chorus with Somebody's Watching Me. Well,
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you remember, you remember, right? You remember the songs. They
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were phenomenal when they came on the air. But even
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more than that, you remember the experiences. And that's what
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we're gonna be talking about today, the experiences. That's one
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of the reasons why the eighties mean so much to
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me and I know to you as well. Now, if
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you didn't grow up in the eighties, different story. Sit back, relax,
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grab something to drink, or you know, turn the lights
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off or whatever. But just get comfortable because we're going
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to fill you in on what the eighties life and
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experiences were kind of like with just a couple of things. Today,
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we're gonna be talking about why the eighties meant so
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much to us. And for me, I have two things
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that I always tell people about the eighties and what
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they mean so much to me. For me, it's number one, Well,
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the experiences, starting off with the video store experience. Now,
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you remember going to the video store, right, I mean,
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this is before Blockbuster and all the big boys going
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to that local mom and pop shop where they usually
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had one or two copies of the latest movie, and
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if you got there late when they had a new release,
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you were out of luck. If it was a big
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enough store. If it was a big enough store, you
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probably walk around there for thirty minutes, and then you
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really didn't find anything that you'd be interested in. Because
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it was a Friday, you really wanted to rent a movie.
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You were in the mood to watch a movie. You
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had just bought the popcorn, the candy. Maybe you had
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somebody over, maybe you did it, But the point is
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you were going to watch a movie that night. In
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a local mom and pop shop. It was much harder
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to get a new release. You remember, maybe you paid
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less than a dollar for the movie rental. Maybe you
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paid a dollar, remember paying a dollar for the movie Reynolds,
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And if you didn't rewind it when you returned it,
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they charged you like fifty cents or something like that.
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But then when the big boys came in, you know
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that blue and yellow blockbuster sign humming against the night sky. Wow,
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things changed traumatically because now you could see any movie
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you wanted, even though they had a lot of copies
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of the latest movie that you wanted to see. Sometimes
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you didn't even make it then, or maybe it wasn't
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Blockbuster for you. Maybe it was one of those independent shops,
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hand drawn movie posters taped inside the window, crooked new
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release sign that looked like somebody's uncle maated And during
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a lunch break you pulled into the lot. You killed
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the engine, or maybe your family did. They stopped the
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car and there was that little pause right before you
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opened the door that you were just giddy. You were
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excited because this wasn't streaming, folks, This was an important
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decision that we were about to pull off. And then
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you walked inside the store and inside, oh that smell,
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plastic VHS cases, the carpet that had seen a thousand
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Friday nights, the faint butter smell from a popcorn machine
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that probably hadn't been cleaned properly since eighty seven. Blockbuster
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probably felt organized then felt it felt corporate, or the
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bright lights, the blue shelving, and like it really mattered.
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It was organized. Then Hollywood Video, which was my favorite,
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came along, and it came in swinging, swinging, I mean,
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darker stores, more red tones, trying to feel a little
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bit cooler, catch your name with Hollywood more modern. They
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were going head to head for a while, and for
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a while it sort of worked in certain areas, and
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then the mum and pop stores, those were different handwritten
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staff picks. The horror section that genuinely scared you, just
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by the box art, the one section in the back
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with a curtain you pretended not to look at. You
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remember what that was. And you didn't just grab a movie.
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You wandered. If you didn't get the movie you wanted,
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you were stuck, probably choosing between something you've seen a
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million times or getting something you haven't seen, but that
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maybe it was a beat or even a C rated movie.
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You picked up the case, you read the back, you
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looked at it, you held on to it just in case,
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and you argued with your friends or with yourself, and
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then sometimes you change your mind. And if the movie
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you wanted was gone, well then that meant somebody else
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got there first, of course, and there was this anticipation
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because there was scarcity, and that made it awesome because
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you weren't clicking on a thumbnail. You were committing to
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the evening, to that night, and that's why that stuck
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out to us. You remember going into Blockbuster and just
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smelling that popcorn, looking at the shelves, looking at that
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enormous amount of movies that they had. And they had
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the horror, they had the Action, and they had the
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romance and the comedy, and there was just Rose and Rose,
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and then they had the children's section and then you
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had kids running around like chickens with their hands. Got
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out and everything was okay. And it was a Friday,
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and it was around seven pm and it was just
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packed and people walking in and out and you could
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hear the cash register going off. It was the experience
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of every Friday, and you loved it. This is one
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and only back to the eighties. Radio today, we are
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talking about why the eighties meant so much to us.
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Stick around because we got Van Halen, Phil Collins and
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the police.
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She calls out to the man on the street, sir,
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can you have me? It's cold and on the way.
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Is there's somewhere you.
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Can tell me.
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He walks on, doesn't look back, He pretends he can't
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hear her, starts to whistle as he crosses the street.
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Seems embarrassed to be there.
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Think twice, because it's another If you mean baradise, think twice,
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because it's another.
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If you you mean bad.
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She goes out to the man on the street. He
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can see she's been crying.
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She's bumped the stools on the soles of the feet.
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She can't walk, but she's trying.
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Saint twice us. It's another if you need ever as
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sae twice.
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It's just another if you lloyd just a bog.
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Boh?
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Is it long?
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Anybody can do?
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Bo hold.
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Must be something you can say. You can tell from
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the lines on her face.
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You can see that she's been there, probably been moved
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on from everyplace.
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Now she didn't fit him there. Think twice, snolity me
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ba does.
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Wait twice.
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It's just another you me rous just about think about.
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It's just a no.
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Day wabby, It's just a no day way. You just
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